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Sony Alpha SLT-A68 Review

We review the new Sony Alpha A68, with an updated focus system, and top LCD screen.

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (6)

The Sony Alpha A68 is a step up from the Sony Alpha A58, and features the same focusing system from the Sony Alpha A77-II, with 79 AF points, and 4D focus tracking, along with focus that works down to -2 EV. The camera features a 24 megapixel APS-C CMOS sensor, and a top LCD display screen.

Sony Alpha SLT-A68 Features

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (12)

At the core of the Sony Alpha A68 is a 24 megapixel APS-C CMOS sensor, with an ISO range from ISO100 to ISO25600, and the camera has a 4D tracking focusing system with 79 phase detection AF points, 15 of these being cross-type.

The camera uses Translucent Mirror Technology, which enables full-time continuous AF, and the camera can shoot at 5fps at full resolution or 8fps at a reduced resolution. Because of the translucent mirror technology, the camera uses an electronic viewfinder (EVF), and this features a 1.44million dot resolution.

Steadyshot INSIDE moves the image sensor to give image stabilisation to any Sony A mount lens attached to the camera, with electronic stabilisation being used for video recording. The camera records fullHD video at 60, 50, 30, 25, and 24fps, and features a microphone socket on the side, as well as built-in stereo microphones.

Sony Alpha SLT-A68 Review: Sony Alpha 70 300mm SAM II 2 1464368943

To give you a better idea how this camera fits into the market, we've compared the camera to other Sony Alpha SLT cameras which includes the Sony Alpha A58, A65, and A77-II:

Sony Alpha A58 Sony Alpha A68 Sony Alpha A65 Sony Alpha A77-II
20.1mp 24mp 24mp 24mp
1.44m dot EVF 1.44m dot EVF 2.36m dot EVF 2.36m dot EVF
2.7inch 460k 2.7inch 460k 3inch 921k 3inch 1228k screen
5fps (full resolution) 5fps (full resolution) 10fps (full resolution) 12fps (full resolution)
ISO100 - ISO16000 ISO100 - ISO25600 ISO100 - ISO16000 ISO50 - ISO51200
15 AF points 79 AF points 15 AF points 79 AF points
FullHD video FullHD video FullHD video FullHD video
690-700 shots 580 shots 510 shots 470 shots
- - - Weather-sealed
- Top LCD - Top LCD
£249 with lens £510 body only Discontinued £764 body only

* both the A58 and A68 offer quicker continuous shooting at 8fps at a reduced resolution of 5mp / 6mp respectively.

The camera features full manual controls, an intelligent Auto mode, scene modes, plus 3 custom shooting modes. There are a number of creative effects, to create different styles of photographs, and with full-time live view through the screen or EVF you can see the effect of changes you make to settings before you take the photo. The 2.7inch screen tilts up and down, and has a resolution of 460K dots. 

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (8)

Key Features

  • 24 megapixel APS-C CMOS sensor
  • SteadyShot Inside (sensor based image stabilisation)
  • EVF: 1.44million dots, 0.39inch, 0.88x magnification (0.57x 35mm equivalent)
  • 2.7inch tilting screen, 460K dots
  • 8fps continuous shooting with AF tracking (5fps at full resolution)
  • 79 AF points, 15 cross-type, -2EV focus
  • ISO100 to ISO25600
  • FullHD video recording (50Mbps), stereo sound
  • Microphone socket
  • HDR / panoramic shooting

Sony Alpha SLT-A68 Handling

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (9)

The Sony Alpha A68 feels solidly built with a plastic camera body and good rubber grip for your right hand and thumb. With a good sized grip for your hand the camera is comfortable to hold, and gives a secure grip even when holding the camera with one hand, although depending on the lens you use, with larger lenses using two hands is recommended. 

Like the Sony Alpha A58, the camera features a plastic front lens mount, although this doesn't seem to have caused any problems for users of the A58, which has now been on the market for around 3 years. There are a good number of controls and buttons on the camera making it quick and easy to change settings, and there's a control wheel on the back of the camera, which (along with the front control wheel) gives you easier access to aperture and shutter controls in manual mode. 

The focus points cover a wide area of the frame, with 79 focus points, and the camera's focus system is excellent quickly showing you exactly where the camera is focused at all times. Focus was also very reliable with a high success rate. 

Sony Alpha SLT-A68 Review: Sony Alpha A68 Screen Focus Points
Sony Alpha A68 Screen Focus Points

The electronic viewfinder (EVF) is comfortable when held up top your eye, with a good sized rubber eyecup, although the 1.44million dot resolution does not match other cameras with electronic viewfinders. The camera will automatically switch from the screen to the EVF when you hold the camera up to your eye, or you can choose which one you want to use manually with the Finder / Monitor button on top. 

The 2.7inch screen is smaller than every other interchangeable lens camera available (not including the A58), which is particularly disappointing considering that even cheaper mirrorless cameras and DSLRs have larger, higher resolution screens. Whilst the 460K dot resolution is reasonable, the screen doesn't look great and is not a gapless design which means the contrast isn't very good. The screen isn't a touch-screen either, which is becoming more and more common and can make it quicker to change settings or set the focus points.

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (7)

The top LCD screen is illuminated, making it easier to view settings in low light from above the camera, or you can tilt the screen upwards. The menus are clearly laid out and will be familiar to anyone who has used other recent Sony cameras. 

Battery life - Battery life is rated at 580 shots according to Sony / CIPA test results, which is very good, 

Sony Alpha SLT-A68 Review: Sony Alpha A68 SLT (1)

Sony Alpha SLT-A68 Performance

The performance section is where we look at the image quality performance of the camera. Additional sample photos and product shots are available in the Equipment Database, where you can add your own review, photos and product ratings.

Speed - We took a number of shots to test the camera's responsiveness, from switch on to first photo, shot to shot, focusing speed etc. We take a number of shots and then use the average to ensure accurate and consistent tests, making it easy to compare with other cameras.

Shutter Response <0.05secs
Wide - Focus / Shutter Response <0.1secs
Full zoom - Focus / Shutter Response  0.125secs
Switch on Time to Taking a Photo 0.9secs
Shot to Shot without Flash 0.5secs
Shot to Shot with Flash 1.1secs
Continuous Shooting - JPEG
(shots before slow down)
5fps (30 shots)
Continuous Shooting - Flash 0.8secs
Continuous Shooting - RAW 5fps (8 shots)


8fps high-speed shooting mode is at a reduced resolution, and manual shooting isn't an option, neither is raw, and the camera shoots using a cropped area of the sensor.

Sony Alpha SLT-A68 Sample Photos

Lucy Portrait (70-300mm II) | 1/125 sec | f/4.5 | 70.0 mm | ISO 100
Lucy Portrait (70-300mm II) | 1/125 sec | f/4.5 | 70.0 mm | ISO 100 | high res
Lucy Portrait 2 (70-300mm II) | 1/100 sec | f/4.5 | 70.0 mm | ISO 100
Lucy Portrait 2 (70-300mm II) | 1/100 sec | f/4.5 | 70.0 mm | ISO 100 | high res
Sheep | 1/80 sec | f/5.6 | 50.0 mm | ISO 125
Sheep | 1/80 sec | f/5.6 | 50.0 mm | ISO 125 | high res
Chairs | 1/200 sec | f/8.0 | 40.0 mm | ISO 100
Chairs | 1/200 sec | f/8.0 | 40.0 mm | ISO 100 | high res
Waterfall | 1/6 sec | f/16.0 | 35.0 mm | ISO 100
Waterfall | 1/6 sec | f/16.0 | 35.0 mm | ISO 100 | high res
Lucy Portrait (70-300mm II) | 1/125 sec | f/4.5 | 70.0 mm | ISO 100
Lucy Portrait 2 (70-300mm II) | 1/100 sec | f/4.5 | 70.0 mm | ISO 100
Sheep | 1/80 sec | f/5.6 | 50.0 mm | ISO 125
Chairs | 1/200 sec | f/8.0 | 40.0 mm | ISO 100
Waterfall | 1/6 sec | f/16.0 | 35.0 mm | ISO 100

Sample Photos - The camera has good colour, and with reliable focus, along with face detection, portrait photos come out sharp and correctly focused, giving a good success rate for portrait photos. Dynamic range benefits from the camera's built-in DRO (Dynamic Range Optimisation) settings, which can be left to automatically improve the dynamic range recorded or you can set this yourself manually. If you want even more dynamic range recorded, you can use the HDR (High Dynamic Range) mode that combines three shots at different exposures, automatically, in the camera.

Sony Alpha SLT-A68 Lens test images

London Tower Bridge (Detail) | 1/320 sec | f/8.0 | 24.0 mm | ISO 100
London Tower Bridge (Detail) | 1/320 sec | f/8.0 | 24.0 mm | ISO 100 | high res
Wide | 1/160 sec | f/9.0 | 20.0 mm | ISO 100
Wide | 1/160 sec | f/9.0 | 20.0 mm | ISO 100 | high res
Zoom | 1/160 sec | f/11.0 | 40.0 mm | ISO 100
Zoom | 1/160 sec | f/11.0 | 40.0 mm | ISO 100 | high res
Full Zoom | 1/160 sec | f/11.0 | 55.0 mm | ISO 100
Full Zoom | 1/160 sec | f/11.0 | 55.0 mm | ISO 100 | high res
Macro - Adjusted Levels (Mixed Light AWB) | 1/20 sec | f/5.6 | 55.0 mm | ISO 800
Macro - Adjusted Levels (Mixed Light AWB) | 1/20 sec | f/5.6 | 55.0 mm | ISO 800 | high res
London Tower Bridge (Detail) | 1/320 sec | f/8.0 | 24.0 mm | ISO 100
Wide | 1/160 sec | f/9.0 | 20.0 mm | ISO 100
Zoom | 1/160 sec | f/11.0 | 40.0 mm | ISO 100
Full Zoom | 1/160 sec | f/11.0 | 55.0 mm | ISO 100
Macro - Adjusted Levels (Mixed Light AWB) | 1/20 sec | f/5.6 | 55.0 mm | ISO 800

Lens Performance - The Sony 18-55mm lens didn't perform particularly well, and for better results a prime lens, or alternative zoom lens is recommended. However, there is little distortion visible using the lens compensation correction built into the camera, and there are options to correct shading (vignetting), chromatic aberrations, and distortion. Macro performance and close focusing ability of the lens is reasonably good. Results from the Sony 70-300mm f/4.5-5.6 G SSM II were much better, and you can view a number of sample photos from this lens, here.

Sony Alpha SLT-A68 ISO test images

0.3 sec | f/8.0 | 45.0 mm | ISO 100
0.3 sec | f/8.0 | 45.0 mm | ISO 100 | high res
1/6 sec | f/8.0 | 45.0 mm | ISO 200
1/6 sec | f/8.0 | 45.0 mm | ISO 200 | high res
1/13 sec | f/8.0 | 45.0 mm | ISO 400
1/13 sec | f/8.0 | 45.0 mm | ISO 400 | high res
1/25 sec | f/8.0 | 45.0 mm | ISO 800
1/25 sec | f/8.0 | 45.0 mm | ISO 800 | high res
1/50 sec | f/8.0 | 45.0 mm | ISO 1600
1/50 sec | f/8.0 | 45.0 mm | ISO 1600 | high res
1/100 sec | f/8.0 | 45.0 mm | ISO 3200
1/100 sec | f/8.0 | 45.0 mm | ISO 3200 | high res
1/200 sec | f/8.0 | 45.0 mm | ISO 6400
1/200 sec | f/8.0 | 45.0 mm | ISO 6400 | high res
1/400 sec | f/8.0 | 45.0 mm | ISO 12800
1/400 sec | f/8.0 | 45.0 mm | ISO 12800 | high res
1/800 sec | f/8.0 | 45.0 mm | ISO 25600
1/800 sec | f/8.0 | 45.0 mm | ISO 25600 | high res
NR OFF | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200
NR OFF | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200 | high res
NR Low | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200
NR Low | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200 | high res
NR Normal | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200
NR Normal | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200 | high res
0.3 sec | f/8.0 | 45.0 mm | ISO 100
1/6 sec | f/8.0 | 45.0 mm | ISO 200
1/13 sec | f/8.0 | 45.0 mm | ISO 400
1/25 sec | f/8.0 | 45.0 mm | ISO 800
1/50 sec | f/8.0 | 45.0 mm | ISO 1600
1/100 sec | f/8.0 | 45.0 mm | ISO 3200
1/200 sec | f/8.0 | 45.0 mm | ISO 6400
1/400 sec | f/8.0 | 45.0 mm | ISO 12800
1/800 sec | f/8.0 | 45.0 mm | ISO 25600
NR OFF | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200
NR Low | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200
NR Normal | 1/100 sec | f/8.0 | 45.0 mm | ISO 3200

ISO Noise Performance - Noise performance is slightly worse than the 24-megapixel Canon EOS 80D, EOS 750D, and also worse than the Sony Alpha A6300, which has a newer sensor with improved noise performance. Another issue with noise on the A68 is that coloured noise can be an issue in shadows, which can make recovering under-exposed photos frustrating. Noise performance is good up until around ISO1600 to ISO3200. And at ISO3200 to ISO6400 we are likely to be at the highest settings we'd want to use. There are options to set noise reduction to off, low, and normal, and on the lower ISO settings noise was particularly noticeable.

Sony Alpha SLT-A68 White-balance test images

AWB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100
AWB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100 | high res
WB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100
WB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100 | high res
AWB Fluorescent | 1.3 sec | f/8.0 | 30.0 mm | ISO 100
AWB Fluorescent | 1.3 sec | f/8.0 | 30.0 mm | ISO 100 | high res
Fluorescent Preset | 1.3 sec | f/8.0 | 30.0 mm | ISO 100
Fluorescent Preset | 1.3 sec | f/8.0 | 30.0 mm | ISO 100 | high res
AWB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100
WB Tungsten | 1/4 sec | f/8.0 | 30.0 mm | ISO 100
AWB Fluorescent | 1.3 sec | f/8.0 | 30.0 mm | ISO 100
Fluorescent Preset | 1.3 sec | f/8.0 | 30.0 mm | ISO 100
Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800

White Balance Performance - Auto White Balance gives a warm result under tungsten lighting, with the tungsten preset giving a more accurate result. The AWB gives very good results under fluorescent lighting, with the fluorescents giving a slight colour cast depending which setting you choose. The AWB also performs well under mixed lighting. 

Sony Alpha SLT-A68 Digital filters

Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800 | high res
Hdr Painting | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
High Contrast Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Illustration | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Miniature | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Partial Colour Green | 1/25 sec | f/4.5 | 30.0 mm | ISO 800
Posterisation | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Retro | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Rich Tone Mono | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Focus | 1/20 sec | f/4.5 | 30.0 mm | ISO 800
Soft Hi Key | 1/4 sec | f/4.5 | 30.0 mm | ISO 800
Watercolour | 1/20 sec | f/4.5 | 30.0 mm | ISO 800

Digital Filters - There are a number of picture effects, that let you apply digital filters to images including with examples shown above, although when shooting using the creative effects, the camera will record JPEG images only. Panoramic shooting is good with the camera capable of taking 15-megapixel panoramic images, with good levels of detail, and you can simply press the shutter release button and pan the camera from one side to the other with the camera automatically stitching the images together.

Video - Video is recorded at FullHD resolution (1920x1080) at 50MBps (XAVC S), with frame rate options of 60, 50, 30, 25, and 24fps, and the camera has built-in stereo microphones and full-time AF. For improved audio performance, there is a microphone socket on the side so that you can use an external microphone. Video performance was generally good, although the camera didn't give particularly good results in low light. Unfortunately, the camera uses electronic image stabilisation for video recording, instead of using the sensor-based image stabilisation system. A video recorded in low light at ISO12800 can be found here.

 
 

Sony Alpha SLT-A68 Review - Verdict: Sony Alpha A68 SLT (4)

Value For Money

The Sony Alpha A68 is available for £509 with 18-55mm II kit lens. Alternative Digital SLRs available include the following:

Pentax K-S2, 20mp, 3inch vari-angle screen, 5.7fps, in camera IS, Wi-Fi, weather-sealed, £479 with kit lens
Canon EOS 750D, 24mp, 3inch vari-angle touch-screen, 5fps, Wi-Fi, £515 with 18-55mm lens
Canon EOS 760D, 24mp, 3inch vari-angle touch-screen, 5fps, top LCD, Wi-Fi, £549 body only
Nikon D5500, 24mp, 3.2inch vari-angle touch-screen, 5fps Wi-Fi, £529 with 18-55mm VR II

Alternative mirrorless cameras with an EVF includes:

Sony Alpha A6000, 24mp, 3inch tilting screen, 11fps, Wi-Fi, £499 with 16-50mm lens
Fujifilm X-T10, 16mp, 3inch tilting screen, 8fps, Wi-Fi, £549 with 16-50mm lens
Panasonic Lumix G7, 16mp, 3inch vari-angle touch-screen, 8fps, 4K video, Wi-Fi, £499 with lens
Olympus OM-D E-M10 Mark II, 16mp, 3inch tilting touch-screen, 8.5fps, in camera IS, Wi-Fi, £429 body only

Have a look at more APS-C DSLRs in our Top 10 Best APS-C DSLRs. You'll also need to buy a memory card and a case or bag to keep your camera safe and protected - have a look at our complete guide to camera bags.

Sony Alpha SLT-A68 Verdict

If you look at the alternatives available, you can choose between a DSLR, and all of the competitors at this price point feature built-in Wi-Fi. Looking at the mirrorless alternatives, all of these also offer Wi-Fi, as well as quicker continuous shooting at full resolution. All of the other cameras feature a larger screen, and some of these are touch-screens as well. You can also get higher speed shooting from the Sony Alpha A6000, as well as built-in Wi-Fi.

However, where the A68 scores well, is the inclusion of a top LCD screen, and if you want this from another camera then you'll need to look at the more expensive Canon EOS 760D. The camera also features in-camera image stabilisation, although this is also available from the cheaper Pentax K-S2 and Olympus OM-D E-M10 Mark II. The A68 also features 79 AF points, with 15 cross-type sensors, and is sensitive down to -2 EV which makes the camera particularly good at focusing in low-light.

The A68 offers an upgrade path for those people who have bought a Sony Alpha A58 or a previous camera, but it's a shame that the camera doesn't match some of the competitors in terms of offering a good screen, and built-in Wi-Fi - something that is expected on almost all cameras these days, particularly ones in this price range.

Anyone looking for a replacement for the now discontinued A65 is likely to be disappointed by the A68, and the A77-II is a much more impressive camera, with 12fps continuous shooting, high-resolution screen, high-resolution EVF, built-in Wi-Fi, and weather-sealing. If the Sony Alpha A68 price drops noticeably over time, then it could become a bit of a bargain, but in our opinion, the Sony Alpha A6000 is significantly better, at a lower price point.

The Sony Alpha A68 would make a good upgrade for A58 users and is recommended for that reason but otherwise, it's a little difficult to see the appeal when Sony mirrorless cameras offer more.

View Full Product Details

Sony Alpha SLT-A68 Specifications

Manufacturer
Sony
Lens
Effective Magnification
1.5x
Image Sensor
Pixels
24.7Mp (Megapixels)
Pixels (W)
6000
Pixels (H)
4000
Sensor Type
CMOS
Sensor Size
APS-C
Sensor Size (width)
23.5mm
Sensor Size (height)
15.6mm
Aspect Ratio
3:2
16:9
LCD Monitor
LCD Monitor
2.7in
Screen resolution
460,800 dots
Touch Screen
No
Focusing
Focusing modes
Autofocus
Manual
Spot
Face Detection
AF Tracking
Multi
Exposure Control
Shutter speeds shortest
1/4000sec
Shutter speeds longest
30sec
Bulb mode
Yes
Exp modes
Program
Aperture-Priority
Shutter-Priority
Manual
Scene modes
Metering
Centre-weighted - Average
Multi Pattern
Spot
ISO sensitivity
100 - 25600
White balance
Auto
Manual
Bracket
Outdoors/Daylight
Cloudy
Incandescent
Fluorescent
Shade
Flash
Exposure Comp
+/-3
Viewfinder
Magnification
0.57x
Shooting Options
Continuous shooting
8fps
Video
Movie mode
Yes
Video Resolution
1920x1080 FullHD
Video FPS
50p, 50i, 25p
Stereo Sound
No
Optical Zoom with Video
Yes
Other Features
Image Stabilisation
Yes
Interface
HDMI
Yes
USB
USB 2
Wi-Fi
No
Storage
Card Type
SD
SDHC
Memory Stick (Sony)
SDXC
File Type
RAW
JPG
RAW + JPG
Power Source
Battery Type
NP-FM500H
Battery Life (CIPA rating)
580shots
Box Contents
Box Contents
Battery charger, rechargeable battery pack, USB cable, CD-ROM, shoulder strap, standard zoom lens. 94 page printed manual.
Dimensions
Weight
675g
Width
142.6mm
Height
104.2mm
Depth
82.8mm

Sony Alpha SLT-A68 Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • 24-megapixel sensor
  • Good colour reproduction
  • Top LCD screen
  • Good battery life
  • Built in image stabilisation sensor
  • DRO / HDR modes for extended dynamic range
  • Fast focus and shutter response
  • 79 AF points with wide coverage
  • Fast live view
Cons
  • Overly sensitive shutter release button
  • Sony 18-55mm SAM II isn't the best lens
  • Sensor based image stabilisation doesn't work for video
  • 2.7inch screen
  • Lacks Wi-Fi

Comments

dannyr
dannyr
14 49
Jun 1, 2016 12:15pm
Wow that's a really dull camera, seriously I have not been this unmoved by a camera in a long time, and I am a camera nut!. I try not to be negative about the review scores but I really don't think your reason to give it a recommended is a very strong one. You are kind of allowing Sony to advertise that this camera is "Recommended by Ephotozine" for a camera that you don't really seem to recommend that much.
Tcoat3
8
Jun 1, 2016 12:36pm
"Noise performance is slightly worse than the 24-megapixel Canon EOS 80D." Well if it priced well below the 80D then there it there is justification for it in the market place, a good first interchangeable lens camera for someone who would like to get into more advanced photography. Quite a lovely portrait of Lucy by the way. Last modified by Tcoat3 on 1 Jun 2016 12:37PM
joshwa
joshwa
13 927
Jun 1, 2016 1:01pm
Hi Tcoat3, thanks for the compliment, and welcome to the site, however the 80D was used as a reference point, and I've also compared it to the 750D, which also has better noise performance at ISO3200/ISO6400.
AlanWillis
AlanWillis
14 67
Jun 1, 2016 5:55pm
Yes it's boring, because Sony customers have asked to keep the A mount going, even though cameras with mirrors are coming to the end of their major part in photography evolution. I would not recommend the A68 against the A6000, which is technically far more advanced and a slightly lower price. When Sony announce the A9 series, which will be mirror less and aimed at the professional market, ( Sony have 3 G Master lenses for this reason. ) only then will the sales of A mount cameras be so low as to be uneconomical to produce. I have used adaptors since the A7 series was launched, because I have spent many thousands on A mount lenses, it's hard to adjust, but the standard of photography proves it I the only way to go. I am predominantly a kingfisher and wildlife photographer, and will never return to a camera using a mirror.
Bantu
Bantu
10 7
Jun 1, 2016 6:05pm
Mirror camera have far better view of scene then mirror less, there is no match of mirror camera. Vikram
fgm2001
11
Jun 1, 2016 6:50pm
I was a Canon user for years, since the D30 actually. When Sony introduced the 2nd generation SLT I converted and never looked back. Fast autofocus, easy to shoot with live view, built in IS. good noise control, and a huge selection of exceptional glass on the used market. I owned the A65,and later the A77, but, for the money, IMHO, the A57 was the best entry level camera available. But, I saw the writing on the wall when all the new technology at Sony no longer included the A mount. Yes, they had the A58, a disappointing cheapened model, and the A77 II, but nothing innovative was coming. Saw the rumors of this A68, but truly lack luster specs and it wasn't even coming to the USA. Sold my equipment before the market was gone and have moved on to Olympus OM D for the reasons mentioned above. Thank you Sony for the time we had and for many great photos! Frank
josa
11 25
Jun 1, 2016 7:18pm
What happened to WB shots? Not in focus or camera shake? Thanks
Chris_L
Chris_L
10 5.5k
Jun 1, 2016 9:26pm
Total turnoff for me too, but good on Sony supporting A-Mount customers with new bodies, they've to be congratulated for that. Could you have got it any dustier by the way 😛?
Tcoat3
7
Jun 2, 2016 1:54am
Thank you Joshwa for the edification on how the sensor noise stacks up against the (Canon) competition. This actually my third iteration -- I'm the original 'Tcoat!' For those of whom are pooh-poohing the A-mount, I will like to remind them the 36 megapixel A99ii is due for imminent release. The sensor should be one of the latest Sony designs, more in-line with the A6300, as will be the heavily revised focusing system.
JJGEE
JJGEE
19 8.1k
Jun 2, 2016 7:14am
Quote:I will like to remind them the 36 megapixel A99ii is due for imminent release Will this not now be delayed following damage to Sony's manufacturing plants in the recent Japan earthquakes ?
joshwa
joshwa
13 927
Jun 2, 2016 8:22am
JJGEE, updated to Tower Bridge, thanks 🙂 Josa, we used the kit lens, it's really not great. The 70-300mm is much better, but we weren't able to use this for the studio shots.
AlanWillis
AlanWillis
14 67
Jun 2, 2016 4:46pm
https://www.youtube.com/watch?v=aanabyZgquU I rest my case.
kodachrome
12 789
Jun 11, 2016 3:24pm
I guess for a first time buyer, the A-68 might be just the camera they were looking for, but for seasoned Sony users, its really a non runner, I would go as far as to say the A-58 it replaces had better IQ and lower noise. If you want to compare 24-mp Sony cameras then the A6000/6300 are out right winners over the 68. The standard Sony 18-55 kit lens is way past its sell buy date for 24-mp cameras and its time Sony brought not only that but their E range up to date for that sensor. I guess the 18-55 kit lens was there to keep the price down for a ready to use camera. If it was me (but it won't be) I would have just got the body and looked round for a better lens, either Minolta or Sony
msgill
msgill
6
Jun 29, 2017 10:06am
Excellent review. Is it compatible with Minolta xi lenses. Thanks. Last modified by msgill on 29 Jun 2017 10:06AM
lewesiansky
6
Jul 15, 2017 8:33pm
Great review. many thanks - I'm about to upgrade from an old Sony A200 and I think this camera will do fine, especially as it will take my old lenses.