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Sigma 18-35mm f/1.8 DC HSM A Lens Review

Gary Wolstenholme reviews the Sigma 18-35mm f/1.8 DC HSM A standard zoom lens.

Handling and features
Performance
Verdict
Specification

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Sigma 18 35 F18 Dc A Lens (2)

This much anticipated standard zoom lens for APS-C format cameras sports a fast f/1.8 maximum aperture throughout the zoom range and silent internal focusing with full time manual override. We have a final pre-production sample to test here and it will be available to fit Canon, Nikon and Sigma cameras, with a recommended retail price of £799.

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Sigma 18 35 F18 Dc A Lens (5)

Sigma 18-35mm f/1.8 DC HSM A Handling and features

Even though this lens sports a fast f/1.8 maximum aperture throughout the zoom range it still weighs only 810g, which isn't as much as you might think. Build quality is very solid with high quality plastics used for much of the lens barrel. This lens feels right at home on the Canon EOS 600D used for testing and would balance even better on cameras with a slightly larger finger grip. The lens is finished with a metallic glossy finish in parts and both zoom and focusing rings are very smooth to operate, which reinforces the quality feel of the lens.

A silent HSM focusing motor powers the focusing mechanism, which is very quick to confirm focus and accurate, even on this pre-production sample. If your sample of this lens does exhibit focusing errors, this lens supports Sigma's new USB Dock accessory, which allows focus adjustments and firmware updates to be applied to the lens, quickly and easily. Focusing and zooming are performed internally, so the 67mm filter thread does not rotate, making this lens ideal for use with polarising and graduated filters.

Full time manual focus can be applied by simply adjusting the focus ring at any time. Manual focusing is a pleasure as the focus ring is quite heavily damped, and very smooth to operate. Closest focusing is 30cm from the sensor plane, which is great for shooting in claustrophobic environments, although the maximum achievable magnification of 1:5.2 may make this lens less suited to frame filling close-ups of smaller objects.

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Sigma 18 35 F18 Dc A Lens (10)

Sigma 18-35mm f/1.8 DC HSM A Performance

At 18mm and maximum aperture, sharpness in the centre of the frame is already outstanding with clarity towards the edges of the frame being just a shade short of excellent, which is impressive for a lens with an f/1.8 maximum aperture. Stopping down a little improves sharpness further, with peak performance being achieved between f/2 and f/2.8 for this focal length.

Zooming to 24mm results in a slight reduction in sharpness, although this lens is still very sharp at this focal length. At maximum aperture sharpness is still outstanding in the centre of the frame and the clarity towards the edges has fallen to very good levels. Stopping down to f/4 results in peak performance across the frame for this focal length, with outstanding sharpness being achieved from edge to edge.

Finally, at 35mm there is a slight further reduction in overall sharpness, although clarity is still very good across the frame at maximum aperture. Peak sharpness across the frame is achieved between f/4 and f/5.6 for this focal length.

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Resolution @ 18mm
Resolution @ 18mm

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Resolution @ 24mmResolution @ 24mm

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Resolution @ 35mmResolution @ 35mm

How to read our charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges. Averaging them out gives the red weighted column.

The scale on the left side is an indication of actual image resolution. The taller the column, the better the lens performance. Simple.

For this review, the lens was tested on a Canon EOS 600D using Imatest.

Chromatic aberrations are remarkably well controlled for a zoom lens with such a bright maximum aperture. The strongest fringing can be found towards the edges of the frame at maximum aperture at 24mm, although the level of CA is still low enough to cause very few issues here.

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Chromatic aberration @ 18mmChromatic aberration @ 18mm

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Chromatic aberration @ 24mmChromatic aberration @ 24mm

Sigma 18-35mm f/1.8 DC HSM A Lens Review: Chromatic aberration @ 35mm

Chromatic aberration @ 35mm

How to read our charts

Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements aspheric, extra-low dispersion etc. to minimize the problem, hence they usually cost more.

For this review, the lens was tested on Canon EOS 600D using Imatest

Falloff of illumination towards the corners of the frame isn't as strong as you may expect from a lens with a fast f/1.8 aperture throughout the zoom range. At 18mm and f/1.8 the corners are only 1.25 stops darker than the image centre and at 35mm the corners are only 1.5 stops darker. Visually uniform illumination is achieved with the aperture stopped down to f/4 or beyond throughout the zoom range.

Distortion at both ends of the zoom is noticeable, but not overly strong with 2.71% barrel at 18mm and 1.06% pincushion at 35mm. The distortion pattern is uniform across the frame, so should be relatively straightforward to correct in image editing software afterwards.

A petal-shaped hood is supplied with this lens, which does a reasonable job of shielding the lens from extraneous light that may cause loss of contrast or flare. Even when shooting into the light, contrast remains good.

Sigma 18-35mm f/1.8 DC Sample Photos

Wideangle | 1/80 sec | f/6.3 | 18.0 mm | ISO 100
Wideangle | 1/80 sec | f/6.3 | 18.0 mm | ISO 100 | high res
Telephoto | 1/80 sec | f/6.3 | 35.0 mm | ISO 100
Telephoto | 1/80 sec | f/6.3 | 35.0 mm | ISO 100 | high res
Closest focus is 30cm | 1/200 sec | f/2.5 | 23.0 mm | ISO 100
Closest focus is 30cm | 1/200 sec | f/2.5 | 23.0 mm | ISO 100 | high res
Out of focus blur is quite appealing | 1/200 sec | f/1.8 | 31.0 mm | ISO 100
Out of focus blur is quite appealing | 1/200 sec | f/1.8 | 31.0 mm | ISO 100 | high res
1/1000 sec | f/1.8 | 18.0 mm | ISO 100
1/1000 sec | f/1.8 | 18.0 mm | ISO 100 | high res
1/60 sec | f/2.8 | 35.0 mm | ISO 200
1/60 sec | f/2.8 | 35.0 mm | ISO 200 | high res
1/100 sec | f/6.3 | 18.0 mm | ISO 100
1/100 sec | f/6.3 | 18.0 mm | ISO 100 | high res
1/125 sec | f/9.0 | 18.0 mm | ISO 100
1/125 sec | f/9.0 | 18.0 mm | ISO 100 | high res
Wideangle | 1/80 sec | f/6.3 | 18.0 mm | ISO 100
Telephoto | 1/80 sec | f/6.3 | 35.0 mm | ISO 100
Closest focus is 30cm | 1/200 sec | f/2.5 | 23.0 mm | ISO 100
Out of focus blur is quite appealing | 1/200 sec | f/1.8 | 31.0 mm | ISO 100
1/1000 sec | f/1.8 | 18.0 mm | ISO 100
1/60 sec | f/2.8 | 35.0 mm | ISO 200
1/100 sec | f/6.3 | 18.0 mm | ISO 100
1/125 sec | f/9.0 | 18.0 mm | ISO 100

Value for Money

With this lens being unique at the current time, with a fast f/1.8 maximum aperture throughout the zoom range, it is difficult to make direct comparisons. However, when the recommended retail price of around £799 is compared to the current prices of Nikon and Canon's f/2.8 lenses in the same range it stacks up quite well, especially as this lens is nearly £200 cheaper than Nikon's 17-55mm f/2.8 and only £70 dearer than Canon's 17-55mm f/2.8 IS lens. Adding up the cost of prime lenses covering this range adds up to considerably more on any system.

Sigma 18-35mm f/1.8 DC HSM A Verdict

In the past, Sigma have carved a niche for themselves creating new, exciting optics that don't already exist in manufacturer's own lens line-ups, such as their 15-30mm & 12-24mm lenses for full frame cameras, that were the first of their kind.

This lens opens new possibilities for owners of APS-C format cameras for low light shooting and creative use of depth of field with a fast f/1.8 maximum aperture, normally reserved for prime focal length lenses. The image quality delivered, especially at shorter focal lengths is of the level normally reserved for prime lenses also.

Sigma 18-35mm f/1.8 DC HSM A Lens Review: The Sigma 18-35mm f/1.8 DC HSM A lens has excellent sharpness and is reasonably priced.

Thanks to HarrisonCameras for providing the Canon EOS 600D used for testing.

View Full Product Details

Sigma 18-35mm f/1.8 DC Specifications

Manufacturer
Sigma
General
Lens Mounts
Nikon AF
Canon EF-S
Sigma SA
Pentax KAF
Lens
Focal Length
18mm - 35mm
Angle of View
44.2° - 76.5°
Max Aperture
f/1.8
Min Aperture
f/16
Filter Size
72mm
Stabilised
No
35mm equivalent
27mm - 52.5mm
Internal focusing
Yes
Maximum magnification
No Data
Focusing
Min Focus
28cm
Construction
Blades
9
Elements
17
Groups
12
Box Contents
Box Contents
Front and rear caps, lens hood, case.
Dimensions
Weight
810g
Height
121mm

Sigma 18-35mm f/1.8 DC HSM A Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Excellent sharpness
  • Constant f/1.8 aperture
  • Low falloff for an f/1.8 lens
  • Good build quality
  • Reasonably priced
Cons
  • No real issues to report

Comments

d7kographer
13
Jun 22, 2013 3:43am
" This lens opens new possibilities for owners of APS-C format cameras for low light shooting and creative use of depth of field with a fast f/1.8 maximum aperture " Certainly agree whole heartedly with that statement, Nikon sadly lack fast lenses of this focal length for their APS-C format cameras, Sigma have realised the gap in the market and come up with a winner. This is the sort of lens I would shoot at f/1.8 most of the time and it looks like the results at f/1.8 look great. I guess for photographers looking at the upgrade path to FX and the fairly high costs involved, perhaps there's more reasons to stay with the APS-C format thanks to Sigma.
ChrisV
ChrisV
17 2.3k
Jun 24, 2013 2:36pm
I wonder what a lens manufacturer has to do to achieve 5 stars? The one serious shortcoming for me about this lens is they're not doing an m4/3 fit. I could even live with the fact that it wouldn't be particularly wide @ 36mm equiv - it would still be considerably better value than Panasonic's 12-35 f2.8 optic, which whilst relatively fast and IS isn't going to give the same control over DoF as this would [even if not quite the same as it offers on APSc]. Kudos to Sigma for producing such a lens at a sensible price [something Canon in particular appear to have left behind]. They deserve to sell shedloads of these - it almost makes me regret giving up APSc for the lighter more convenient smaller format.
zedhaed918
zedhaed918
14 5
Jun 26, 2013 9:37pm
This lens is a brilliant coup on the part of Sigma, seeing the opportunity in the market place and exploiting it. I was considering getting the Canon 24mm 1.4, but seeing this review has certainly given me reason to reconsider. Ill be holding back for its realease and putting the money saved to good use. Cant wait to get my hands on one!
ricohflex
11 1
Jun 29, 2013 5:00pm
But 35mm equivalent zoom range of 27mm to 52.5mm is not exciting.
Malinger
10
Jul 10, 2013 2:49am
is it a typo that you said it weights only 665g and on the specificications it states 810g?
YoBellzaa
YoBellzaa
17 224
Jul 10, 2013 7:18am
Thanks for pointing that out, I have updated the review.
DamonJames
10
Jul 26, 2013 10:04pm
One question: I keep reading that this lens is silent. I mostly shoot video and plan on upgrading to the Canon 70D & am wondering if this is as quiet for shooting video as the STM kit lenses? I would much rather get this than a kit lens that is 3.5-5.6.
BStephan
10
Oct 30, 2013 1:37pm
Finally i got my copy for my Nikon D7000. It reveals as a superb lens and i am left with the question why Nikon is not willing to offer fast high quality lenses for their DX-Bodies.
MGJ
15 372
Mar 13, 2014 7:00pm
Why not a greater zoom ratio -because one would have had to compromise image quality. Doesn't matter because with such quality a 30-50% crop will still go to A3+, and with good sharpening, still be razor sharp. This lens is in a different league from the majority of zooms.