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Samyang AF 18mm f/2.8 FE Lens Review

Samyang AF 18mm f/2.8 FE Review - John Riley reviews this new FE-mount lens for full-frame and APS-C Sony E-Mount mirrorless cameras.

Highres Samyang a F 18mm F28 Front Oblique View 1568793801

Samyang have a fine reputation for producing reasonably priced, excellent lenses, initially manual focus only, but for some time now with a rapidly expanding AF range. This new 18mm f/2.8 ultra-wide is a welcome addition to the range, offering a very useful focal length for Sony FE full frame mirrorless cameras. It can also be used on the APS-C format cameras, where the “35mm equivalent” field of view would be around 27mm. Here we review it using the full frame 24MP Sony Alpha A7 III. Let's see how it performs and handles and if it makes a good companion to the rest of Samyang's AF range.

Samyang AF 18mm f/2.8 FE Handling and Features

Highres Samyang a F 18mm F28 Without Hood on Sony A7 Iii 1568793844

The lens is light and compact, weighing in at a svelte 145g without caps. Construction is of high quality, using appropriate plastics that reduce the weight.

There is a provided petal lens hood that bayonets securely into place and shows no sign of being likely to dislodge accidentally. The bayonet fit surrounds a standard 58mm filter thread. The front element is relatively small, not like the traditional ultra-wides that needed huge domed glass front elements. Coatings are Samyang's UMC multi-coating.

The only control on the lens is the manual focus ring. It is electronic and therefore ultra-smooth and its function is controlled via the camera menus. Sony offers various choices regarding focus – AF-S, AF-C and AF-A are the AF options and are single shooting, continuous shooting and automatic selection between the two. The MF options are DMF and MF. DMF is Direct Manual Focus and enables manual tweaks after AF has been performed. MF is of course just manual focusing. The focusing range is down to 0.25m, or 0.82 feet, which is a maximum magnification of 0.09x.

AF is driven by a linear STM motor and is precise and fast. It is also virtually silent.

Highres Samyang a F 18mm F28 With Hood on Sony A7 Iii 1568793839

Optical construction is 9 elements in 8 groups, including 3 Aspherical, 2 HR (High Refractive Index) and 3 ED (Extra Low Dispersion). The diaphragm comprises 7 blades. It is interesting that the rear element is concave rather than convex, not unheard of, but unusual. In the performance section we will see if this enhances the edge performance.

Handling is just spot on, there is nothing to the lens to cause any grief and it operates slickly and sweetly in every respect. 18mm is actually quite wide, so the biggest danger would be in not getting in close enough to subjects; to fill the foreground. Ultra-wides are lenses that cry out for dramatic compositions, as well of course enabling sweeping interior shots. For most subjects we need to get in close, and then closer still.

Highres Samyang a F 18mm F28 Rear Oblique View 1568793829
 

Samyang AF 18mm f/2.8 FE Performance

Sharpness is almost perfectly even across the frame, the edges vying with the centre for the highest figures. Centre and edge, sharpness is excellent from f/2.8 all the way through to f/16. Diffraction slightly reduces sharpness at f/22, but not by much and it is still very good. Again, that holds true from centre to edge. This is a very impressive result.

Samyang AF 18mm f/2.8 FE MTF Charts

How to read our MTF charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.

The scale on the left side is an indication of actual image resolution and sharpness as LW/PH and is described in detail above. The taller the column, the better the lens performance.

For this review, the lens was tested on a Sony Alpha A7 III using Imatest. Want to know more about how we review lenses?


CA (Chromatic Aberration) is well controlled and not much of a problem, but it can be reduced further in software.

Samyang AF 18mm f/2.8 FE Chromatic Aberration Charts

How to read our CA charts

Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Sony Alpha A7 III using Imatest.

Barrel distortion measures -1.99%, which is certainly visible, especially on architectural subjects or anywhere where we see straight lines near the edge of the frame. But of course this is normal for ultra-wide designs and it is better in this respect than most zooms. Corrections can be applied in software.

Bokeh is not really the raison d'etre of such wide lenses, but it is apparent that it is as smooth as could be expected. An 18mm may well be used more at smaller apertures, so everything could well be within the depth of field and in that case bokeh becomes less relevant.

If there is an Achilles heel then for this lens it is flare. In normal use, with front lit or side lit subjects then flare is not a problem, but with bright lights shining straight into the lens then contrast dives and a multitude of artefacts cascade right across the image.

Vignetting is present, as in all lenses, and for such a wide lens is actually well limited. At f/2.8 we have -2.3 stops of corner darkening, reducing to about -1.5 stops from f/4 through to f/22. This can produce pleasing darkening of the corners for landscape and other subjects, where traditionally prints would be darkened at the edges to concentrate our eyes on the centre of the field. This can be reduced in software if desired.

In summary, the lens produces lovely, crisp images and any limitations on that can be further reduced by using software solutions.

Samyang AF 18mm f/2.8 FE Aperture range

You can view additional images in the Equipment Database, where you can add your own review, photos and product ratings.

 

Highres Samyang a F 18mm F28 Vertical View 1568793834
 

Value For Money

The Samyang AF 18mm f/2.8 lens is priced at £349.99, making the new Samyang lens terrific value for money. Alternatives include:

Tamron 17-28mm f/2.8 Di III RXD, £899
Sony FE 16-35mm f/2.8 G Master, £2099
Zeiss Batis 18mm f/2.8, £1199
Sigma 14-24mm f/2.8 DG DN Art, £1459

For more options have a look at the Top 29 Best Sony E / FE Mount LensesTop 21 Best Samyang Lenses, or have a look at the Best Budget Wide-angle lenses.

Samyang AF 18mm f/2.8 FE Verdict

There is so much on the plus side for the Samyang AF 18mm f/2.8 FE lens – it's affordable, really sharp, focuses fast and produces crisp, attractive images. Handling is superb.

The only question marks are over the lack of weather resistance and the amount of flare against the light, but if these can be accepted then, especially at the price, the lens is a remarkable and highly desirable, compact and efficient lens. Highly recommended.

Ephotozine Highly Recommended Award The Samyang AF 18mm f/2.8 FE lens is a compact, light and very sharp ultra-wide lens.

View Full Product Details

Own this lens? Let us know what you think of it in the EQDB.

Spotted a mistake? Let us know in the EQDB.

Samyang AF 18mm f/2.8 FE Lens Review
MTF50 Graph | high res
Samyang AF 18mm f/2.8 FE Lens Review
CA Graph | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bold Colour | 1/400 sec | f/8.0 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
CA Test | 1/800 sec | f/7.1 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Closest Focus | 1 sec | f/8.0 | 18.0 mm | ISO 100 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Cycle Meet | 1/200 sec | f/8.0 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Damhouse | 1/3200 sec | f/5.6 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Damhouse Interior | 1/40 sec | f/7.1 | 18.0 mm | ISO 1600 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Derelict Chapel | 1/250 sec | f/8.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Disused Sidings | 1/400 sec | f/11.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Feeding Billy | 1/50 sec | f/11.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Flare Test | 1/80 sec | f/8.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Floral Display | 1/250 sec | f/8.0 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Garden Party | 1/25 sec | f/8.0 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Gravestones | 1/6 sec | f/16.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Old Door | 1/5 sec | f/5.6 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Old Engine | 1/1600 sec | f/2.8 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Portrait 1 | 1/30 sec | f/5.6 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Portrait 2 | 1/125 sec | f/2.8 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Portrait 3 | 1/640 sec | f/2.8 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Texture In Old Brick | 1/20 sec | f/5.6 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Times Past | 1/13 sec | f/2.8 | 18.0 mm | ISO 6400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Tyldesley Cemetery | 1/400 sec | f/8.0 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Waiting Room | 1/30 sec | f/7.1 | 18.0 mm | ISO 400 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Woodland Path | 0.3 sec | f/16.0 | 18.0 mm | ISO 100 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F2.8 | 1/1000 sec | f/2.8 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F4 | 1/400 sec | f/4.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F5.6 | 1/250 sec | f/5.6 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F8 | 1/125 sec | f/8.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F11 | 1/60 sec | f/11.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F16 | 1/30 sec | f/16.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Bokeh At F22 | 1/20 sec | f/22.0 | 18.0 mm | ISO 200 | high res
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review
Samyang AF 18mm f/2.8 FE Lens Review

Samyang AF 18mm f/2.8 FE Specifications

Manufacturer
Samyang
General
Lens Mounts
Sony E Mount
Sony FE Mount
Lens
Focal Length
18mm
Angle of View
100°
Max Aperture
f/2.8
Min Aperture
f/22
Filter Size
58mm
Stabilised
No
35mm equivalent
No Data
Internal focusing
Yes
Maximum magnification
0.09x
Focusing
Min Focus
25cm
Construction
Blades
7
Elements
9
Groups
8
Box Contents
Box Contents
No Data
Dimensions
Weight
145g
Height
60.5mm

Samyang AF 18mm f/2.8 FE Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Excellent sharpness throughout
  • Compact and light
  • Moderate vignetting
  • Fast and silent AF
  • Good CA control
  • Modest price
  • Well made
Cons
  • No weather resistance
  • Flares against the light
  • Visible distortion

Comments

roseblood11
5
Sep 18, 2019 3:25pm
Why do you still use a 24mp camera for testing? It's a focal range that many people will use for landscape photography and these people often own an A7R model. And as the lens is so small, many people will buy it for their aps-c bodies with their very demanding sensors. Christopher Frost (on YT) tests all lenses on the A7R2 and the A5100, and I think that makes sense...
johnriley1uk
johnriley1uk
19 29
Sep 18, 2019 10:54pm
It depends upon the availability of camera bodies at the time of testing. We have used the A7R when possible, but unfortunately it isn't always possible. The ratings such as "excellent" or "very good" do take the different sensors into account, but I agree that the more MP the better and it would be nice if there was a standard body that could be used for all lenses. Of course a lens that is available for several makes of camera would only be reviewed using one of them, but still a lot of valuable information can be gleaned.
zechs
4
Sep 19, 2019 2:38am
is this lens support in-camera correction for distortion?
johnriley1uk
johnriley1uk
19 29
Sep 19, 2019 8:07am
Corrections for JPEG capture can be switched on in camera, but for the purposes of testing all corrections are switched off. That is, as much as they can be, because sometimes even RAW files have in-camera corrections applied that cannot be switched off.
6bq5
10
Sep 21, 2019 6:34am
Is 3500 LW/PH the theoretical maximum that can be achieved with the 24 MP sensor in the A7 II?
johnriley1uk
johnriley1uk
19 29
Sep 21, 2019 11:16am
No, the y-axis of the graph is set at 3500 purely because the values exceed 3000 and the graph works in steps of 500, so it needs to show up to 3500 to prevent the column projecting beyond the graph.
6bq5
10
Sep 23, 2019 4:39pm
Thanks for the reply, John! Is there a known theoretical maximum for a given sensor? It would be nice to know how close the lens comes to 100% of what the sensor is capable of resolving.
johnriley1uk
johnriley1uk
19 29
Sep 23, 2019 5:20pm
Yes, but which sensor? Every camera will have a slightly different result, even when we strip out all the in-camera adjustments that are accessible to us. Apart from experimental error, which we always try to minimise, there are variations in sensor from camera to camera so there is no uniform measurement. That doesn't mean to say the figures don't have value, but they need to be analysed carefully and there's more to it that just a percentage. We can still tell that this is a lovely lens that delivers the goods.
stevedigip
15
Oct 13, 2019 11:17am
Bring this out in Z mount please Samyang!