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Samyang AF 14mm f/2.8 F Lens Review

John Riley reviews the new wide-angle Samyang AF 14mm f/2.8 F lens for Nikon DSLRs.

Highres Samyang Af 14mm F28 Front Oblique Viewjpg 1534508140

Samyang continues to move onwards into autofocus territory, now presenting us with their first AF Nikon F fit lens, the full frame AF 14mm f/2.8. Definitely in the class of the ultra-wide, the 14mm lens is demanding of manufacture and of technique, so let's see how it stands up to the competition, using for this review the 45mp Nikon D850 body.
 

Samyang AF 14mm f/2.8 F Handling and Features

Highres Samyang Af 14mm F28 Vertical View 1534508399

This is a chunky lens, but not excessively so, weighing in at a reasonable 474g. This balances well with the Nikon D850, slightly front heavy because of the huge front element, but still comfortable in use. Starting at the front, there is a built-in petal lens hood that offers some protection for the large, domed front element. There is no filter ring. This is, of course, a full frame lens, offering a field of view of 116.6 degrees. If used on an APS-C format body the "35mm equivalent" becomes 21mm, with a field of view of 92.8 degrees.

Behind this is the wide, electronic, manual focusing ring. This offers full-time manual focus, so after AF operation further tweaks can be made without having to engage an MF mode. The action is very smooth, with just the right amount of resistance. Focusing is down to 0.2m, or 0.66 feet, giving a maximum magnification of 0.15x. There is no distance scale on the lens.

The only other feature is the AF/MF switch. The bayonet mount is well machined in metal and looks as well made as the rest of the lens. The standard of construction is very high. The lens is also weather sealed, a very useful feature.

Highres Samyang Af 14mm F28 on Nikon D850 1534508233

The optical formula is 15 elements in 10 groups, including 2 Aspherical, 1 ED (Extra Low Dispersion) and 4 HR (High Refractive Index) elements. The lens utilises Samyang's UMC (Ultra Multi Coating) to suppress flare and ghosting. The diaphragm consists of 7 rounded blades, intended to improve the bokeh of the lens.

The AF, driven by a linear stepping motor, is silent, swift and accurate, and indeed the general handling is equally smooth. A 14mm lens can be quite challenging to get the best out of, but this one handles so beautifully that the actual operation never intrudes on the image making process. The wide sweep of the field of view is particularly useful for interior architectural shots, but many other areas of subject matter can also be tackled, from landscapes to portraits. Portrait subjects might appreciate us not being too close as ultra-wide lenses do tend to result in quite distorted facial features. In many shots, a strong foreground interest will avoid large, blank areas close to the camera.

Highres Samyang Af 14mm F28 Rear Oblique View 1534508351

Samyang AF 14mm f/2.8 F Performance

Central sharpness is excellent from f/2.8 right through to f/16, in fact moving up to the category of outstanding at f/8. It is still very good at f/22, which is an impressive performance.

The edges are good at f/2.8 and f/4, improving to very good at f/5.6 and to excellent at f/8 and f/11. The standard is still very good at f/16 and f/22.

Samyang AF 14mm f/2.8 MTF Charts

How to read our MTF charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.

The scale on the left side is an indication of actual image resolution as LW/PH and is described in detail above. The taller the column, the better the lens performance.

For this review, the lens was tested on a Nikon D850 using Imatest.


CA (Chromatic Aberration) is very tightly controlled throughout the range of apertures, both centre and edge. It will not be a problem, even under the most demanding conditions.

Samyang AF 14mm f/2.8 Chromatic Aberration Charts

How to read our CA charts

Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Nikon D850 using Imatest.

There is -3.09% barrel distortion present, but this is to be expected in an ultra-wide lens. If necessary, further correction can be made in-camera or in software, but for many subjects, this will not be an issue.

An ultra-wide lens will at best only have limited flare protection from the built-in lens hood, but the coatings are excellent and the lens is actually pretty much flare free, even against very bright sunlight. The hood does, however, offer some useful physical protection for the vulnerable front element.

Bokeh is not really a major expectation for an ultra-wide lens and sometimes the out of focus effects, especially in the corners, can be slightly harsh, but in normal circumstances the overall look is good. Considering the angle of view, this is very satisfactory.

Looking at vignetting, at open aperture the corners are some -1.7 stops darker than the centre, reducing to -1.5 stops at f/5.6, -1.4 stops at f/8 and -1.2 stops from f/11 onwards. This slight darkening of the corners can actually enhance many images and is fairly modest for such a wide lens.

 

Samyang AF 14mm f/2.8 F Lens Review - Verdict

Highres Samyang Af 14mm F28 on Nikon D850 Front View 1534508290

Value For Money

The Samyang AF 14mm f/2.8 F lens is priced at £649.99. The new Samyang lens does look remarkable value for money, especially considering the high standard of manufacture and the high optical quality.

Alternatives for Nikon fit include the:

  • Nikon 14mm f/2.8D ED, £1609
  • Sigma 14mm f/1.8 DG HSM Art, £1679

Samyang also offers the 14mm f/2.8 ED AS IF UMC manual focus lens at £349.

For more options have a look at the Top 21 Best Samyang Lenses or the Top 28 Wide-angle Landscape Lenses.

Samyang AF 14mm f/2.8 F Verdict

With a highly competitive price tag, high quality all around and an especially fine optical performance, the Samyang AF 14mm f/2.8 lens for Nikon F certainly more than justifies its cost. Against the competition, it holds its head up high and hits a very sweet price/performance point that makes it a very serious contender for those seeking a 14mm lens. A definite Editor's Choice.

Ephotozine Editors Choice Award A magnificent ultra-wide lens for Nikon users, at an amazing price.

View Full Product Details

Samyang AF 14mm f/2.8 F Lens Review
MTF Graph | high res
Samyang AF 14mm f/2.8 F Lens Review
CA Graph | high res
Samyang AF 14mm f/2.8 F Lens Review
CA Test | 1/500 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Car Interior | 1/100 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Close Up Bold Colour | 0.4 sec | f/8.0 | 14.0 mm | ISO 100 | high res
Samyang AF 14mm f/2.8 F Lens Review
Closest Focus | 1/4 sec | f/8.0 | 14.0 mm | ISO 100 | high res
Samyang AF 14mm f/2.8 F Lens Review
Coffee House Interior | 1/30 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Dam House | 1/2000 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Derelict Chapel | 1/25 sec | f/16.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Derelict Entrance | 0.3 sec | f/11.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Industrial Landscape At Astley Green | 1/400 sec | f/8.0 | 14.0 mm | ISO 200 | high res
Samyang AF 14mm f/2.8 F Lens Review
Keyboard | 1/40 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Old Telephone Box | 1/30 sec | f/16.0 | 14.0 mm | ISO 200 | high res
Samyang AF 14mm f/2.8 F Lens Review
Portrait 1 | 1/80 sec | f/6.3 | 14.0 mm | ISO 100 | high res
Samyang AF 14mm f/2.8 F Lens Review
Portrait 2 | 1/500 sec | f/6.3 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Portrait 3 | 1/5 sec | f/16.0 | 14.0 mm | ISO 200 | high res
Samyang AF 14mm f/2.8 F Lens Review
Portrait 4 | 1/100 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Texture In Old Brick | 1/250 sec | f/11.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Texture In Wool | 4 sec | f/16.0 | 14.0 mm | ISO 100 | high res
Samyang AF 14mm f/2.8 F Lens Review
White House | 1/1250 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Winding Engine Detail | 0.5 sec | f/22.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/2.8 | 1/5000 sec | f/2.8 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/4 | 1/3200 sec | f/4.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/5.6 | 1/1600 sec | f/5.6 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/8 | 1/1000 sec | f/8.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/11 | 1/400 sec | f/11.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/16 | 1/200 sec | f/16.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Bokeh At f/22 | 1/125 sec | f/22.0 | 14.0 mm | ISO 400 | high res
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review
Samyang AF 14mm f/2.8 F Lens Review

Samyang AF 14mm f/2.8 Specifications

Manufacturer
Samyang
General
Lens Mounts
Nikon F
Lens
Focal Length
14mm
Angle of View
116.6°
Max Aperture
f/2.8
Min Aperture
f/22
Filter Size
No Data
Stabilised
No
35mm equivalent
No Data
Internal focusing
Yes
Maximum magnification
0.15x
Focusing
Min Focus
20cm
Construction
Blades
7
Elements
15
Groups
10
Box Contents
Box Contents
No Data
Dimensions
Weight
485g
Height
95.6mm

Samyang AF 14mm f/2.8 F Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Excellent sharpness
  • Highly corrected for CA
  • Fast and accurate AF
  • Quality manufacture
  • Classic, useful focal length
  • Well controlled vignetting
  • Weather resistance
  • Virtually flare free
Cons
  • No distance or DOF scales
  • Barrel distortion

Comments

du322
5
Aug 20, 2018 6:48pm
I have the MF version of the Samyang 14mm. Aside from the addition of AF, how does the new version compare optically?
BeyE
5
Sep 23, 2018 10:25am
The review says barrel distortion. But this can be corrected in Lightroom automatically right?
sergiup
4
Dec 30, 2019 6:10pm
In the "landscape" type of samples, most taken at F8, (e.g. 1st and 6th photos), I see the left side of the frame (the feft-most 1/3rd of the frame) significantly less sharp than the right side. In the 9th picture ("Industrial Landscape At Astley Green") I see the right side significantly sharper than the left, especially the leaves of the trees. At 14mm and F8, I would think this should not happen, right?
johnriley1uk
johnriley1uk
19 29
Dec 30, 2019 8:16pm
It will depend on how much leaf movement there is as to how sharp or otherwise the leaves are. I can't remember if the day was still or windy, but some movement is likely. The only other factor will be the distance of various parts of the image from the lens and how that falls within the depth of field, or otherwise. Hope that helps!