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Nikon Nikkor Z 85mm f/1.8 S Review

Nikon Z 85mm f/1.8 S Review - John Riley reviews Nikon's new Nikkor Z 85mm f/1.8 for Z-mount mirrorless cameras, the Z6 and Z7.

Nikon Nikkor Z 85mm f/1.8 S Review: Nikkor Z 85mm F1,8S Front Oblique View

We have already reviewed the Nikkor Z 24-70mm f/2.8 and Nikkor Z 14-30mm f/4 full frame lenses for the new Nikon Z system cameras. Both were found to be exceptional performers, duly picking up the accolade of Editor's Choice. As the system expands and the choice of lenses widens, the continuation of this high standard will be crucial to its success, so it is with great interest that we now look at the new Nikkor Z 85mm f/1.8S, using the 45.4MP Nikon Z7 camera body. Can Nikon do it again? We find out....

Nikon Nikkor Z 85mm f/1.8 S Handling and Features

Nikon Nikkor Z 85mm f/1.8 S Review: Nikkor Z 85mm F1,8S On NikonZ7 No Hood

First impression is of a well made, very understated lens in terms of appearance, it being little more than a tube with one control ring and an AF/MF switch. It weighs a modest 470g, is dust and water-resistant and has nano crystal coatings that enable us to peer into the front element and clearly see the 9 bladed diaphragm. The diaphragm is electronic, as on all recent Nikkor lenses, making the operation smooth, silent and accurate. This is ideal for videographers in particular.

There is a provided bayonet fit lens hood, another simple tube that matches the lens itself perfectly. This clips firmly into place and has no tendency whatsoever to be accidentally shifted. Within the bayonet fit is a standard 67mm filter thread.

The manual focusing ring is very broad and allows for excellent grip. It is electronic and totally silent in operation, but it is more than that as it can be programmed to adjust focus (full time), aperture or exposure compensation; all silently and so having excellent potential for video shooting as well as stills. The focusing range extends down to 0.80m, or 2.62 feet, a maximum magnification of 0.12x or 1:8.3. This is marginally closer than some traditional 85mm lenses, but not by a hugely significant amount. It is an excellent focal length and focus distance for flattering portraits.

Nikon Nikkor Z 85mm f/1.8 S Review: Nikkor Z 85mm F1,8S On NikonZ7 With Hood

Optical construction is 12 elements in 8 groups, including 2 ED (Extra Low Dispersion). This relatively simple formula is no doubt possible because the maximum aperture has been held to f/1.8, rather than the increasingly used f/1.4. The benefits are lower cost, but mainly a much lighter and more compact lens. This is far more in keeping with the supposed ethos of a mirrorless system than adding a monster of a lens to a svelte body.

This reduced size and weight is well received and makes carrying the kit so much easier for longer periods. This is obviously ideal in travel situations, but can be appreciated for other photographic areas. The lens is so simple, but works superbly well and is a pleasure to shoot with.

Nikon Nikkor Z 85mm f/1.8 S Review: Nikkor Z 85mm F1,8S Rear Oblique View

Nikon Nikkor Z 85mm f/1.8 S Performance

Sharpness is quite remarkable and is in fact outstanding, both centre and edge, all the way from f/1.8 through to f/8. It is still evenly matched at f/11 and f/16, centre and edge, where results are excellent. Simply put, use any aperture and images will be gorgeously crisp all over the image field.

Nikon NIKKOR Z 85MM f/1.8 S MTF Charts

MTF50 Graph
MTF50 Graph | high res
MTF50 Graph

How to read our MTF charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.

The scale on the left side is an indication of actual image resolution and sharpness as LW/PH and is described in detail above. The taller the column, the better the lens performance.

For this review, the lens was tested on a Nikon Z7 using Imatest. Want to know more about how we review lenses?

CA (Chromatic Aberration) is virtually banished at the centre of the field, even with all in-camera corrections switched off. The figures approach zero. The edges also measure extremely low values, so CA is just not a problem at any level.

Nikon NIKKOR Z 85MM f/1.8 S Chromatic Aberration Charts

CA Graph
CA Graph | high res
CA Graph

How to read our CA charts

Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Nikon Z7 using Imatest.

Distortion measures +0.27% barrel, also a very low value, making the lens extremely suitable for architectural shots, or indeed any shots where straight lines at the edge of the frame are required to be rendered straight.

With such high sharpness, sometimes lenses can look a little severe in terms of bokeh, but the Nikkor does not fall into that trap. Bokeh can be described as creamy, ultra-smooth or having lovely gradation, but it all amounts to the same thing, a lens that renders out of focus areas with a beautiful smoothness.

Flare resistance is excellent, with no artefacts and only a very slight loss of contrast when shooting right into bright light sources.

Vignetting is well held at just -1.7 stops of corner darkening at f/1.8, reducing to -1.6 at f/2 and thereafter to around -1.4 stops for the rest of the aperture range. This is also an excellent performance, and what darkening remains can be either removed in software or used to advantage to help concentrate our eyes on the centre of the image. This will work well for portraiture in particular.

In summary, this is a superb overall performance, right in the top league of lenses.

Nikon NIKKOR Z 85MM f/1.8 S Sample Photos

CA Test | 1/800 sec | f/8.0 | 85.0 mm | ISO 400
CA Test | 1/800 sec | f/8.0 | 85.0 mm | ISO 400 | high res
Close Up Flower | 1/800 sec | f/1.8 | 85.0 mm | ISO 200
Close Up Flower | 1/800 sec | f/1.8 | 85.0 mm | ISO 200 | high res
Closest Focus | 1.3 sec | f/8.0 | 85.0 mm | ISO 100
Closest Focus | 1.3 sec | f/8.0 | 85.0 mm | ISO 100 | high res
Display | 1/800 sec | f/8.0 | 85.0 mm | ISO 400
Display | 1/800 sec | f/8.0 | 85.0 mm | ISO 400 | high res
Ferns | 1/320 sec | f/4.0 | 85.0 mm | ISO 200
Ferns | 1/320 sec | f/4.0 | 85.0 mm | ISO 200 | high res
Flare Test | 1/400 sec | f/8.0 | 85.0 mm | ISO 200
Flare Test | 1/400 sec | f/8.0 | 85.0 mm | ISO 200 | high res
Martin Mere | 1/2000 sec | f/8.0 | 85.0 mm | ISO 400
Martin Mere | 1/2000 sec | f/8.0 | 85.0 mm | ISO 400 | high res
Old Garden Walls | 1/640 sec | f/8.0 | 85.0 mm | ISO 200
Old Garden Walls | 1/640 sec | f/8.0 | 85.0 mm | ISO 200 | high res
Portrait 1 | 1/320 sec | f/1.8 | 85.0 mm | ISO 800
Portrait 1 | 1/320 sec | f/1.8 | 85.0 mm | ISO 800 | high res
Portrait 3 | 1/320 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 3 | 1/320 sec | f/2.8 | 85.0 mm | ISO 400 | high res
Portrait 4 | 1/500 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 4 | 1/500 sec | f/2.8 | 85.0 mm | ISO 400 | high res
Portrait 5 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 5 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400 | high res
Portrait 6 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 6 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400 | high res
Roof Detail At Rufford Old Hall | 1/3200 sec | f/4.0 | 85.0 mm | ISO 200
Roof Detail At Rufford Old Hall | 1/3200 sec | f/4.0 | 85.0 mm | ISO 200 | high res
Rufford Old Hall | 1/320 sec | f/8.0 | 85.0 mm | ISO 200
Rufford Old Hall | 1/320 sec | f/8.0 | 85.0 mm | ISO 200 | high res
Rufford Old Hall Entrance | 1/1250 sec | f/8.0 | 85.0 mm | ISO 200
Rufford Old Hall Entrance | 1/1250 sec | f/8.0 | 85.0 mm | ISO 200 | high res
Tortoise | 1/160 sec | f/8.0 | 85.0 mm | ISO 100
Tortoise | 1/160 sec | f/8.0 | 85.0 mm | ISO 100 | high res
Armadillo | 1/125 sec | f/1.8 | 85.0 mm | ISO 800
Armadillo | 1/125 sec | f/1.8 | 85.0 mm | ISO 800 | high res
Brown Wood Owl | 1/200 sec | f/3.5 | 85.0 mm | ISO 400
Brown Wood Owl | 1/200 sec | f/3.5 | 85.0 mm | ISO 400 | high res
Little Owl | 1/160 sec | f/3.5 | 85.0 mm | ISO 400
Little Owl | 1/160 sec | f/3.5 | 85.0 mm | ISO 400 | high res
Texture In Brick | 1/15 sec | f/11.0 | 85.0 mm | ISO 100
Texture In Brick | 1/15 sec | f/11.0 | 85.0 mm | ISO 100 | high res
CA Test | 1/800 sec | f/8.0 | 85.0 mm | ISO 400
Close Up Flower | 1/800 sec | f/1.8 | 85.0 mm | ISO 200
Closest Focus | 1.3 sec | f/8.0 | 85.0 mm | ISO 100
Display | 1/800 sec | f/8.0 | 85.0 mm | ISO 400
Ferns | 1/320 sec | f/4.0 | 85.0 mm | ISO 200
Flare Test | 1/400 sec | f/8.0 | 85.0 mm | ISO 200
Martin Mere | 1/2000 sec | f/8.0 | 85.0 mm | ISO 400
Old Garden Walls | 1/640 sec | f/8.0 | 85.0 mm | ISO 200
Portrait 1 | 1/320 sec | f/1.8 | 85.0 mm | ISO 800
Portrait 3 | 1/320 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 4 | 1/500 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 5 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400
Portrait 6 | 1/640 sec | f/2.8 | 85.0 mm | ISO 400
Roof Detail At Rufford Old Hall | 1/3200 sec | f/4.0 | 85.0 mm | ISO 200
Rufford Old Hall | 1/320 sec | f/8.0 | 85.0 mm | ISO 200
Rufford Old Hall Entrance | 1/1250 sec | f/8.0 | 85.0 mm | ISO 200
Tortoise | 1/160 sec | f/8.0 | 85.0 mm | ISO 100
Armadillo | 1/125 sec | f/1.8 | 85.0 mm | ISO 800
Brown Wood Owl | 1/200 sec | f/3.5 | 85.0 mm | ISO 400
Little Owl | 1/160 sec | f/3.5 | 85.0 mm | ISO 400
Texture In Brick | 1/15 sec | f/11.0 | 85.0 mm | ISO 100

Nikon NIKKOR Z 85MM f/1.8 S Aperture range

Bokeh At F1.8 | 1/800 sec | f/1.8 | 85.0 mm | ISO 200
Bokeh At F1.8 | 1/800 sec | f/1.8 | 85.0 mm | ISO 200 | high res
Bokeh At F2 | 1/640 sec | f/2.0 | 85.0 mm | ISO 200
Bokeh At F2 | 1/640 sec | f/2.0 | 85.0 mm | ISO 200 | high res
Bokeh At F2.8 | 1/250 sec | f/2.8 | 85.0 mm | ISO 200
Bokeh At F2.8 | 1/250 sec | f/2.8 | 85.0 mm | ISO 200 | high res
Bokeh At F4 | 1/125 sec | f/4.0 | 85.0 mm | ISO 200
Bokeh At F4 | 1/125 sec | f/4.0 | 85.0 mm | ISO 200 | high res
Bokeh At F5.6 | 1/60 sec | f/5.6 | 85.0 mm | ISO 200
Bokeh At F5.6 | 1/60 sec | f/5.6 | 85.0 mm | ISO 200 | high res
Bokeh At F8 | 1/30 sec | f/8.0 | 85.0 mm | ISO 200
Bokeh At F8 | 1/30 sec | f/8.0 | 85.0 mm | ISO 200 | high res
Bokeh At F11 | 1/15 sec | f/11.0 | 85.0 mm | ISO 200
Bokeh At F11 | 1/15 sec | f/11.0 | 85.0 mm | ISO 200 | high res
Bokeh At F16 | 1/8 sec | f/16.0 | 85.0 mm | ISO 200
Bokeh At F16 | 1/8 sec | f/16.0 | 85.0 mm | ISO 200 | high res
Bokeh At F1.8 | 1/800 sec | f/1.8 | 85.0 mm | ISO 200
Bokeh At F2 | 1/640 sec | f/2.0 | 85.0 mm | ISO 200
Bokeh At F2.8 | 1/250 sec | f/2.8 | 85.0 mm | ISO 200
Bokeh At F4 | 1/125 sec | f/4.0 | 85.0 mm | ISO 200
Bokeh At F5.6 | 1/60 sec | f/5.6 | 85.0 mm | ISO 200
Bokeh At F8 | 1/30 sec | f/8.0 | 85.0 mm | ISO 200
Bokeh At F11 | 1/15 sec | f/11.0 | 85.0 mm | ISO 200
Bokeh At F16 | 1/8 sec | f/16.0 | 85.0 mm | ISO 200

You can view additional images in the Equipment Database, where you can add your own review, photos and product ratings.

Nikon Nikkor Z 85mm f/1.8 S Review - Verdict: Nikkor Z 85mm F1,8S On NikonZ7 Front View

Value For Money

The Nikon Nikkor Z 85mm f/1.8 S lens is priced at £799.

To give an idea of value compared with other marques:

Sony FE 85mm f/1.8, £599
Tamron SP 85mm f/1.8 Di VC USD, £749
Nikon AF-S Nikkor 85mm f/1.8G, £429
Zeiss Batis 85mm f/1.8, £995
Canon EF 85mm f/1.8 USM, £365
Samyang MF 85mm f/1.8, £319
Lensbaby Velvet 85mm f/1.8, £479

Whilst these will not fit the Nikon Z system cameras, notwithstanding any adapters that may be found, it does give an idea of the pricing level the Nikkor has been set at. The new lens is at the top end of the prices found, but it is also at the top end in terms of performance, so can justify itself.

For more options have a look at Top 44 Best Portrait Lenses.

Nikon Nikkor Z 85mm f/1.8 S Verdict

What a cracker of a lens the Nikon Nikkor Z 85mm f/1.8 S has turned out to be. With outstanding performance, outstanding handling and its diminutive size and weight there is a lot to like, in fact a lot to find that is highly desirable. The cost is at the higher end of such lenses, although nowhere near the cost that an f/1.4 version would result in. It might be an inspired decision by Nikon to keep their lens to be smaller, lighter but to ensure the highest level of quality.

We started out by asking if Nikon could do it again. The answer is yes, and they did. The result is another well deserved Editor's Choice.

Nikon NIKKOR Z 85MM f/1.8 S Specifications

Manufacturer
Nikon
General
Lens Mounts
Nikon Z
Lens
Focal Length
85mm
Angle of View
28.3°
Max Aperture
f/1.8
Min Aperture
f/16
Filter Size
67mm
Stabilised
No
35mm equivalent
No Data
Internal focusing
Yes
Maximum magnification
0.12x
Focusing
Min Focus
80cm
Construction
Blades
9
Elements
12
Groups
8
Box Contents
Box Contents
LC-67B 67 mm Snap-on Front Lens Cap, LF-N1 Rear Lens Cap, HB-91 Bayonet Hood, CL-C1 Lens Case
Dimensions
Weight
470g
Height
99mm

Nikon Nikkor Z 85mm f/1.8 S Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Outstanding sharpness
  • Virtually zero CA
  • Excellent flare resistance
  • Dust and moisture resistance
  • Excellent handling
  • Quality manufacture
  • Custom functions for silent adjustment ring
  • Compact and light
Cons
  • Price at the high end

Comments

JackAllTog
JackAllTog
15 6.4k
Sep 24, 2019 5:03pm
Interesting point thanks that the focus ring can also be configured to be aperture or EV adjustments whe in AF mode.
stevedigip
15
Oct 13, 2019 11:18am
This is a wonderful lens - very happy with it!