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Canon EOS 6D Mark II Review

We review the new Canon EOS 6D Mark II, the long awaited update to the 6D, with a new 26mp Full-Frame sensor, and vari-angle touch-screen.

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (8)

It’s been nearly 5 years since the Canon EOS 6D was announced in September 2012, and Canon’s replacement, the Canon EOS 6D Mark II – is designed to offer a compact full-frame Digital SLR, with high image quality and excellent low-light performance. The 6D II has an all-new 26-megapixel full-frame sensor, with dual pixel AF, as well as an updated 45-point AF system. The Canon EOS 6D Mark II is available for £1999 body only.

Canon EOS 6D Mark II Features

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (7)

The 6D Mark II offers a range of updates and features that make it a significant update to the original 6D, here we run through some of the main differences:

Canon EOS 6D Mark II updates compared to the 6D:

  • 26 mp Full-Frame sensor
  • ISO range up to ISO40,000 (extended range ISO50 to ISO102400)
  • 3inch vari-angle touch-screen
  • 45 AF points (all-cross type) (increase over the 11 on the 6D)
  • 6.5fps continuous shooting (increased from 4.5fps)
  • DIGIC 7 image processor (15x faster than DIGIC 6 - 6D featured the DIGIC 5+)
  • 1200 shot battery life
  • Bluetooth added

Using a new dual-pixel AF CMOS sensor, the camera offers rapid live-view focus, with focus points covering 80% of the sensor. The number of focus points available has been increased to 45 cross-type AF points, with 27 of these f/8 focus points. 

There's also a slight improvement in the optical viewfinder, with 98% coverage compared to 97% on the 6D. Magnification remains the same at 0.71x. Battery life is improved, with the 6D Mark II offering 1200 shots, compared to 1090 shots on the 6D.

The 6D Mark II offers a more compact, and more competitively priced option compared to the 30 megapixel 5D Mark IV, being over £1300 cheaper. Here we run through the main differences between the 6D, 6D Mark II and 5D Mark IV:

Canon EOS 6D (Mark I) Canon EOS 6D Mark II Canon EOS 5D Mark IV
20mp FF sensor 26mp FF sensor 30mp FF sensor
3inch screen 3inch vari-angle touch-screen 3.2inch, 1.62m dot touch-screen
97% OVF, 0.71x magnification 98% OVF, 0.71x magnification 100% OVF, 0.71x magnification
11-AF points 45-AF points 61-AF points
- Dual-pixel AF Dual-pixel AF
ISO50-102400 ISO50-102400 ISO50-102400
4.5fps continuous shooting 6.5fps continuous shooting 7fps continuous shooting
FullHD video (30fps) FullHD video (60fps) 4K CINE video, mic, headphone
GPS + Wi-Fi built-in GPS + Wi-Fi, NFC, Bluetooth built-in GPS + Wi-Fi built-in
USB2 USB2 USB3
1090 shot battery life 1200 shot battery life 900 shot battery life
£1349 £1999 £3349

 

There have been a number of improvements, over the 6D, including improved focus, with both an increase in the number of focus points, as well as the introduction of sensor based dual-pixel AF. The camera offers improved speed, with 6.5fps continuous shooting and a video showing this can be seen below:

 

 

A new battery grip is available, offering extended battery life. The original 6D will still be available whilst stocks last but is no longer being manufactured.

There are full manual controls, scene modes, and creative effects, plus two custom modes on the mode dial. For beginners there is a Scene Intelligent Auto mode.

GPS and Wi-Fi was built-in to the 6D, and the 6D Mark II adds to this with built-in NFC and Bluetooth. NFC makes it easier to connect the camera to a compatible smartphone (with NFC). Bluetooth can be used for low power image transfer. GPS lets you Geotag images, and you can also use GPS information to ensure that the time recorded in EXIF data is accurate. 

The camera is weather-sealed, and there is a 3inch vari-angle touch-screen on the back of the camera. You can use the touch-screen to change settings, and browse the menus. It can also display a dual-axis electronic level.

The 6D Mark II records FullHD video at frame rates up to 60fps, with 5-axis digital IS available. There are built-in stereo microphones, and a mic socket can be found on the side of the camera.

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (15)

Key Features

  • 26mp Full-Frame Dual-Pixel AF CMOS sensor
  • DIGIC 7 image processor
  • 98% view optical viewfinder, with 0.71x magnification
  • 3.0inch vari-angle touch-screen, 1040K dots
  • 45-AF points, all cross type, 27 with f/8 sensitivity, -3EV
  • ISO100 to ISO40,000 (Native), Extended: ISO50 to ISO102400
  • 6.5fps continuous shooting
  • Wi-Fi, Bluetooth, NFC
  • GPS built-in
  • FullHD video at 60fps, with 5-axis digital IS, Mic socket
  • HDR movie recording, Timelapse 4K movie creation
  • Weather-sealed body
  • 1200 shot battery life

Canon EOS 6D Mark II Handling

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (9)

The Canon EOS 6D Mark II will feel comfortable and easy to use for anyone who has used other EOS cameras, and features a new focus button next to the shutter release button to give quicker access to the camera's updated focus system. The layout of the rest of the buttons on the back of the Mark II are almost identical to the original 6D, apart from a few minor tweaks, along with a space to allow you to move the vari-angle screen.

The camera has a solid body made out of polycarbonate resin with a special conductive fiber, the chassis is made out of aluminium alloy and polycarbonate resin with glass fiber. It's also weather-sealed. Weighing 765g (with battery and memory card), the camera is only 10g heavier than the 6D, and only 35g heavier than the Canon EOS 80D (with APS-C sensor). The 6D Mark II uses the same battery as the 6D.

The camera has a deep hand grip with ample rubber, with a good sized rubber grip at the rear for your thumb, as well as rubber on the left of the camera to aid two handed grip. The camera has a locking mode dial, which means you have to press the centre button before turning it, and the on/off switch can be found underneath. The top LCD can be lit up with the press of the light button, and the ISO button has a small dot so that you can easily find it.

Using the rear dial in P (Program) mode you can quickly change the exposure compensation, or in manual modes, use both the top and rear dials to adjust aperture and shutter speeds. You can use the lock switch to stop the rear dial being accidentally used. Using the Q button you can quickly change settings on the rear screen, using either the control pad or using the touch-screen. It doesn't take long to get used to the location of the controls, and you can also view settings in the viewfinder, as you change them, so that you don't have to hold the camera away from your eye. 

Canon EOS 6D Mark II Review: Canon Eos 6d Ii Focus Through Viewfinder
Canon EOS 6D Mark II Focus Through Viewfinder

There are 45 AF points, arranged in the centre of the frame, covering a smaller area than the 5D Mark III and 5D Mark IV - both feature 61 AF points. Using live view you can select a much wider area of the frame covering 80% vertically and 80% horizontally. The specifications say there are 63 live view AF positions, although when selecting the focus point, there appears to be more than this. Focus was generally reliable in a variety of shooting conditions. 

The optical viewfinder (OVF) is quite reasonably sized, with a soft rubber surround. The screen is clear, bright, and has excellent viewing angles. As you can tilt the screen you can shoot at more creative angles. The screen doesn't rotate fully forwards, but is easily viewable for self-portraits and framing the shot in live view. You can view the dual-axis electronic level on the screen, but not in the viewfinder.

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (10)

Menus – The menus should be familiar to anyone who's used any of Canon's recent Digital SLRs, and wach mode has a welcome screen. A number of options are available in the menus, however, the more advanced focus options are found in the custom menus. You can use the touch-screen to select and change options. In the custom menus you'll find more advanced AF settings, including AF microadjustment. When using the Q menu, there is built-in help giving you more information. 

 

 

Wi-Fi features - Setting up a connection to your smartphone or tablet is relatively easy. The app, Canon Camera Connect, guides you through the process making it as easy as possible for you. Once setup, it’s easy to transfer images over, as well as remotely control the camera. If your smartphone features NFC, then you can use this to quickly setup the connection. 

Canon EOS 6D Mark II Review: Canon EOS 6D MarkII (11)

Battery life - Battery life is rated at 1200 shots according to Canon / CIPA test results, which is excellent, and an improvement over the original 6D. 

Canon EOS 6D Mark II Performance

The performance section is where we look at the image quality performance of the camera. Additional sample photos and product shots are available in the Equipment Database, where you can add your own review, photos and product ratings.

Speed - We took a number of shots to test the camera's responsiveness, from switch on to first photo, shot to shot, focusing speed etc. We take a number of shots and then use the average to ensure accurate and consistent tests, making it easy to compare with other cameras.

Shutter Response <0.1secs (<0.05sec LV)
Wide - Focus / Shutter Response 0.175secs (0.3-0.6secs LV)
Full zoom - Focus / Shutter Response  0.125secs (0-1-0.3secs LV)
Switch on Time to Taking a Photo 0.5secs
Shot to Shot without Flash 0.3secs
Shot to Shot with Flash N/A
Continuous Shooting - JPEG
(shots before slow down)
6.5fps (280 shots), 6.5fps LV
Continuous Shooting - Flash N/A
Continuous Shooting - RAW 6.5fps (21 shots)


Focus and shutter response are both quick, although focus was slightly slower in live view (LV) mode. We tested focus speeds with the Canon EF 24-70mm f/4L. Live view continuous shooting speed is 6.5fps. We used a Sony G SD memory card.

Canon EOS 6D Mark II Sample Photos

Lucy Portrait 85mm JPEG | 1/800 sec | f/2.0 | 85.0 mm | ISO 100
Lucy Portrait 85mm JPEG | 1/800 sec | f/2.0 | 85.0 mm | ISO 100 | high res
Lucy Portrait 85mm - JPEG | 1/400 sec | f/2.0 | 85.0 mm | ISO 100
Lucy Portrait 85mm - JPEG | 1/400 sec | f/2.0 | 85.0 mm | ISO 100 | high res
Lucy Portrait 50mm - RAW TO JPEG | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100
Lucy Portrait 50mm - RAW TO JPEG | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100 | high res
Lucy Portrait 50mm - JPEG straight from camera | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100
Lucy Portrait 50mm - JPEG straight from camera | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100 | high res
Low Light (Living Body Band) | 1/60 sec | f/4.0 | 59.0 mm | ISO 25600
Low Light (Living Body Band) | 1/60 sec | f/4.0 | 59.0 mm | ISO 25600 | high res
Kitten JPEG | 1/40 sec | f/2.0 | 50.0 mm | ISO 200
Kitten JPEG | 1/40 sec | f/2.0 | 50.0 mm | ISO 200 | high res
Raw To JPEG (Shadows boosted) | 1/40 sec | f/2.0 | 50.0 mm | ISO 200
Raw To JPEG (Shadows boosted) | 1/40 sec | f/2.0 | 50.0 mm | ISO 200 | high res
Cake JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000
Cake JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000 | high res
Cake - Raw To JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000
Cake - Raw To JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000 | high res
Octopus JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800
Octopus JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800 | high res
Octopus Raw To JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800
Octopus Raw To JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800 | high res
Big Dipper Raw To Jpeg | 15 sec | f/16.0 | 24.0 mm | ISO 3200
Big Dipper Raw To Jpeg | 15 sec | f/16.0 | 24.0 mm | ISO 3200 | high res
Lucy Portrait 85mm JPEG | 1/800 sec | f/2.0 | 85.0 mm | ISO 100
Lucy Portrait 85mm - JPEG | 1/400 sec | f/2.0 | 85.0 mm | ISO 100
Lucy Portrait 50mm - RAW TO JPEG | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100
Lucy Portrait 50mm - JPEG straight from camera | 1/1000 sec | f/2.0 | 50.0 mm | ISO 100
Low Light (Living Body Band) | 1/60 sec | f/4.0 | 59.0 mm | ISO 25600
Kitten JPEG | 1/40 sec | f/2.0 | 50.0 mm | ISO 200
Raw To JPEG (Shadows boosted) | 1/40 sec | f/2.0 | 50.0 mm | ISO 200
Cake JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000
Cake - Raw To JPEG | 1/125 sec | f/4.0 | 70.0 mm | ISO 2000
Octopus JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800
Octopus Raw To JPEG | 1/60 sec | f/4.0 | 70.0 mm | ISO 12800
Big Dipper Raw To Jpeg | 15 sec | f/16.0 | 24.0 mm | ISO 3200

Sample Photos - Using a full-frame camera, with bright lenses can make keeping the subject's eyes in focus more difficult. This isn't helped by the need to focus and re-compose shots due to the focus points being in the centre of the frame when you're not using live-view. Switching to live-view focus gives you a wider focus area, but we'd rather shoot using the optical viewfinder for portraits. 

Colour and exposure is reliable, and the camera gives excellent colour straight from the camera. You can adjust the picture style, and there a number of presets built-in. These can be adjusted, with settings for sharpness (including strength, fineness, threshold), contrast, saturation, and colour tone. You can select an HDR mode in the menus, and there are options for Natural results, as well as "Art" effects. Auto Lighting Optimizer will help record additional dynamic range in photos, and there's also a Highlight tone priority option. 

Canon EOS 6D Mark II Lens test images

Wide (24-70mm) | 1/320 sec | f/11.0 | 24.0 mm | ISO 100
Wide (24-70mm) | 1/320 sec | f/11.0 | 24.0 mm | ISO 100 | high res
Zoom (24-70mm) | 1/500 sec | f/10.0 | 70.0 mm | ISO 100
Zoom (24-70mm) | 1/500 sec | f/10.0 | 70.0 mm | ISO 100 | high res
Sheffield | 1/200 sec | f/8.0 | 57.0 mm | ISO 100
Sheffield | 1/200 sec | f/8.0 | 57.0 mm | ISO 100 | high res
Coffee Van 105mm | 1/800 sec | f/6.3 | 105.0 mm | ISO 125
Coffee Van 105mm | 1/800 sec | f/6.3 | 105.0 mm | ISO 125 | high res
Macro (24-70mm) | 1/100 sec | f/5.0 | 70.0 mm | ISO 100
Macro (24-70mm) | 1/100 sec | f/5.0 | 70.0 mm | ISO 100 | high res
Wide (24-70mm) | 1/320 sec | f/11.0 | 24.0 mm | ISO 100
Zoom (24-70mm) | 1/500 sec | f/10.0 | 70.0 mm | ISO 100
Sheffield | 1/200 sec | f/8.0 | 57.0 mm | ISO 100
Coffee Van 105mm | 1/800 sec | f/6.3 | 105.0 mm | ISO 125
Macro (24-70mm) | 1/100 sec | f/5.0 | 70.0 mm | ISO 100

Lens Performance - The camera delivers clean, noise free images at the lowest ISO settings. Lens aberration correction is built-in to the camera, and works with Canon lenses, correcting for peripheral illumination (vignetting), chromatic aberrations, distortion, and diffraction. Because of this, we didn't find any issues with lens distortion, although did need to remember to correct this when converting from raw images. The lens data built-in to the camera can be updated using Canon's software. Shooting raw it's easy to recover +/- 2 EV if you under or over-expose images, however this has been the case for several years now. 

To get the best out of the increased resolution, high quality lenses are recommended. We shot with the 50mm f/1.485mm f/1.824-70mm f/4L and 24-105mm f/3.5-5.6 IS STM lenses. We were most impressed with the prime lenses, for portrait shooting, and the 24-70mm f/4L for general use. The macro performance of the 24-70mm f/4L lens is particularly impressive. 

Canon EOS 6D Mark II ISO test images

0.4 sec | f/8.0 | 70.0 mm | ISO 50
0.4 sec | f/8.0 | 70.0 mm | ISO 50 | high res
1/5 sec | f/8.0 | 70.0 mm | ISO 100
1/5 sec | f/8.0 | 70.0 mm | ISO 100 | high res
1/10 sec | f/8.0 | 70.0 mm | ISO 200
1/10 sec | f/8.0 | 70.0 mm | ISO 200 | high res
1/20 sec | f/8.0 | 70.0 mm | ISO 400
1/20 sec | f/8.0 | 70.0 mm | ISO 400 | high res
1/40 sec | f/8.0 | 70.0 mm | ISO 800
1/40 sec | f/8.0 | 70.0 mm | ISO 800 | high res
1/80 sec | f/8.0 | 70.0 mm | ISO 1600
1/80 sec | f/8.0 | 70.0 mm | ISO 1600 | high res
1/160 sec | f/8.0 | 70.0 mm | ISO 3200
1/160 sec | f/8.0 | 70.0 mm | ISO 3200 | high res
1/320 sec | f/8.0 | 70.0 mm | ISO 6400
1/320 sec | f/8.0 | 70.0 mm | ISO 6400 | high res
1/640 sec | f/8.0 | 70.0 mm | ISO 12800
1/640 sec | f/8.0 | 70.0 mm | ISO 12800 | high res
1/1250 sec | f/8.0 | 70.0 mm | ISO 25600
1/1250 sec | f/8.0 | 70.0 mm | ISO 25600 | high res
1/2500 sec | f/8.0 | 70.0 mm | ISO 51200
1/2500 sec | f/8.0 | 70.0 mm | ISO 51200 | high res
1/4000 sec | f/8.0 | 70.0 mm | ISO 102400
1/4000 sec | f/8.0 | 70.0 mm | ISO 102400 | high res
0.4 sec | f/8.0 | 70.0 mm | ISO 50
1/5 sec | f/8.0 | 70.0 mm | ISO 100
1/10 sec | f/8.0 | 70.0 mm | ISO 200
1/20 sec | f/8.0 | 70.0 mm | ISO 400
1/40 sec | f/8.0 | 70.0 mm | ISO 800
1/80 sec | f/8.0 | 70.0 mm | ISO 1600
1/160 sec | f/8.0 | 70.0 mm | ISO 3200
1/320 sec | f/8.0 | 70.0 mm | ISO 6400
1/640 sec | f/8.0 | 70.0 mm | ISO 12800
1/1250 sec | f/8.0 | 70.0 mm | ISO 25600
1/2500 sec | f/8.0 | 70.0 mm | ISO 51200
1/4000 sec | f/8.0 | 70.0 mm | ISO 102400

ISO Noise Performance - Noise performance is very good up to and including ISO3200. Noise increases at ISO6400, but images are still good. ISO12800 shows more noise, but we would still be happy using these images. ISO25600 shows more noise, and fine grain, but should still produce usable images. Noise becomes worse at ISO51200, and we'd recommend avoiding this setting, unless you plan on processing the image further, or resizing images. 

Compared to the original 6D - there are better results at ISO102400, however there is little difference in noise performance at other ISO speeds, and disappointingly the camera doesn't move us much further forwards in terms of noise performance, over the 6D, except in terms of resolution. There is reduced dynamic range at ISO50 (Low), as it the case with most cameras offering an extended (low) ISO speed. There are High ISO speed noise reduction options, with 4 settings, plus Multi Shot Noise Reduction.

Canon EOS 6D Mark II White-balance test images

AWB Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
AWB Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100 | high res
AWB White Priority Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
AWB White Priority Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100 | high res
Tungsten Preset | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
Tungsten Preset | 1/4 sec | f/8.0 | 41.0 mm | ISO 100 | high res
AWB Mixed Light | 1/6 sec | f/8.0 | 41.0 mm | ISO 100
AWB Mixed Light | 1/6 sec | f/8.0 | 41.0 mm | ISO 100 | high res
AWB Fluorescent Light | 0.4 sec | f/8.0 | 41.0 mm | ISO 100
AWB Fluorescent Light | 0.4 sec | f/8.0 | 41.0 mm | ISO 100 | high res
Fluorescent Preset | 0.4 sec | f/8.0 | 41.0 mm | ISO 100
Fluorescent Preset | 0.4 sec | f/8.0 | 41.0 mm | ISO 100 | high res
AWB Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
AWB White Priority Tungsten | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
Tungsten Preset | 1/4 sec | f/8.0 | 41.0 mm | ISO 100
AWB Mixed Light | 1/6 sec | f/8.0 | 41.0 mm | ISO 100
AWB Fluorescent Light | 0.4 sec | f/8.0 | 41.0 mm | ISO 100
Fluorescent Preset | 0.4 sec | f/8.0 | 41.0 mm | ISO 100

White Balance Performance - Auto White Balance (AWB) gives slightly warm results under tungsten lighting, and by using the white priority setting, the AWB can give much more accurate results, which is great for product shots. Using the tungsten preset gives warm results. The camera performs well under mixed lighting, with a slightly warm result. AWB performs well under fluorescent lighting, and the preset gives a very slight colour cast. Thanks to the "White priority" AWB setting, and the good AWB performance, you shouldn't need to use any of the presets.

Digital Filters - Creative Auto mode lets you select a number of different effects, including: Standard, Vivid, Soft, Warm, Intense, Cool, Brighter, Darker and Monochrome. You can also adjust the background blur. The scene mode features all of the usual modes, including Food, plus Handheld Night mode, and HDR backlight control. These last two take a number of shots and merge them. In camera raw editing lets you adjust settings, saving the edited file in camera as a JPEG image. 

 

Video - The camera records FullHD video at frame rates up to 60fps, with stereo microphones built-in. The ISO speed available goes up to ISO25600 in Auto mode. Manual ISO settings can be expanded to H1: ISO51200, and H2: ISO102400. A full range of frame rates are available, including 59.94, 50, 29.97, 25, and 23.976fps. Videos are recorded as MP4 (MPEG-4 AVC, H264) files, with options of IPB Standard or Light, this results in a bitrate of 58-59mbps. 

You can adjust the audio levels manually, or leave them on auto. There are wind filter and attenuator options. HDR movie recording is possible as one of the scene modes. In-camera 5-axis Digital IS available (options are: Off, Enable, and Enhanced). As the electronic image stabilisation reduces video quality, we'd recommend the use of a lens with optical image stabilisation, or the use of a tripod (or monopod). 

 
 

Canon EOS 6D Mark II Review - Verdict: Canon EOS 6D MarkII (1)

Value For Money

The Canon EOS 6D Mark II is available for £1999 body only, which makes it one of the more expensive "entry-level" Full-Frame DSLRs, particularly up against the following cameras. Alternative full-frame cameras to look at include the following:

Pentax K-1, 36mp, 4.4fps continuous shooting, GPS/Wi-Fi, £1999 body only 
Nikon D750, 24mp, 6.5fps continuous shooting, Wi-Fi, £1299 body only 
Sony Alpha A7 Mark II, 24mp, 5fps continuous shooting, Wi-Fi, £1199 body only 

Have a look at more options in our Top 10 Best Full-Frame DSLR Cameras, or Best Premium Mirrorless Cameras. You'll also need to buy a memory card and a case or bag to keep your camera safe and protected - have a look at our complete guide to camera bags.

Canon EOS 6D Mark II Verdict

The Canon EOS 6D Mark II gives increased resolution compared to the 6D it replaces, with no reduction in noise performance. You also get great colour reproduction, and an easy-to-use menu system and controls. There's also a welcome update to the number of AF points, although the area is very centrally located.

The price compared to the original 6D is a little high. When the 6D was originally reviewed, it was one of the cheapest full-frame (FF) Digital SLRs available, and there were no full-frame mirrorless cameras (the Sony Alpha A7 wasn't announced till October 2013). The 6D was also one of the most compact full-frame DSLRs available. So it had two massive selling points, price, and size. Now, the 6D Mark II no longer offers one of the cheapest FF DSLRs, and it's no longer particularly small when compared to FF mirrorless cameras. However, it does offer excellent battery life, particularly when compared to mirrorless cameras on offer.

The Canon EOS 6D Mark II does enough to keep Canon shooters happy, delivering excellent colour, and high image quality, along with fast focus in both normal and live view shooting. For those looking for a full-frame camera with no prior lens preferences, there's little reason to pay more for the 6D Mark II over a Sony Alpha A7 II, or Nikon D750. Why not save yourself £700 to £800 and buy some lenses instead?

If you already have the lenses, and want to upgrade from another Canon DSLR, then the 6D Mark II will make a great full-frame Digital SLR. The Canon EOS 6D Mark II does everything asked of it, delivering great image quality.

Ephotozine Highly Recommended Award

The Canon EOS 6D Mark II offers great image quality.

View Full Product Details

Canon EOS 6D Mark II Specifications

Manufacturer
Canon
Lens
Effective Magnification
1x
Viewfinder
Magnification
0.71x
Image Sensor
Pixels
26.2Mp (Megapixels)
Pixels (W)
6240
Pixels (H)
4160
Sensor Type
CMOS
Sensor Size
Full-Frame
Sensor Size (width)
35.9mm
Sensor Size (height)
24mm
Aspect Ratio
3:2
4:3
16:9
1:1
Shooting Options
Continuous shooting
6.5fps
LCD Monitor
LCD Monitor
3in
Screen resolution
1040K
Touch Screen
Yes
Video
Movie mode
Yes
Video Resolution
1920x1080 FullHD
Video FPS
60, 50, 29, 25, 24fps
Stereo Sound
Yes
Optical Zoom with Video
Yes
Focusing
Focusing modes
Autofocus
Manual
Spot
Face Detection
AF Tracking
Multi
Centre
Touch AF
AF Fine Tuning (Micro Adjustment)
Other Features
Image Stabilisation
No
Exposure Control
Shutter speeds shortest
1/4000sec
Shutter speeds longest
30sec
Bulb mode
Yes
Exp modes
Program
Aperture-Priority
Shutter-Priority
Manual
Scene modes
Program Variable
Metering
Centre-weighted - Average
Multi Pattern
Spot
Centre Spot
ISO sensitivity
50 - 102400
White balance
Auto
Manual
Bracket
Outdoors/Daylight
Cloudy
Incandescent
Fluorescent
Shade
Flash
Exposure Comp
+/-5
Interface
HDMI
Yes
USB
USB 2
Wi-Fi
Yes
Storage
Card Type
SD
SDHC
SDXC
File Type
RAW
JPG
RAW + JPG
Power Source
Battery Type
Rechargeable Li-ion Battery LP-E6N
Battery Life (CIPA rating)
1200shots
Box Contents
Box Contents
No Data
Dimensions
Weight
765g
Width
144mm
Height
110.5mm
Depth
74.8mm

Canon EOS 6D Mark II Verdict

Features
Handling
Performance
Value for money
Verdict
Pros
  • Dual-axis electronic level
  • Excellent battery life
  • Good continuous shooting speed
  • Good noise performance
  • Excellent Canon colour
  • 26mp Full-Frame sensor
Cons
  • AF points centrally located
  • Does not feature a headphone socket
  • Does not feature 4K video
  • Price increase

Comments

JackAllTog
JackAllTog
14 6.4k
Jun 29, 2017 10:52am
Drool - better focusing and low light performance and an extra 25% more pixels for a bit more detail. Can we see some test images at the upper ISO limits, and get a feel as to how much better focus tracking is on moving subjects in moderate light situations? Also is colour richness / dynamic range still good at say ISO 800?
themak
themak
10 1.2k
Jun 29, 2017 2:18pm
26.2Mp must be the Canon 'this one goes to 11' moment.
JackAllTog
JackAllTog
14 6.4k
Jun 29, 2017 2:40pm
Quote:26.2Mp must be the Canon 'this one goes to 11' moment. I though the main trade off was ISO noise vs pixels, and Canon potentially have improved usable ISO somewhat AND also got more pixels. so maybe this even goes to 12.5 now. More pixels is generally not a bad thing apart from the file sizes. And you don't need to shoot full size if you don't wish to. BTW - thanks before this i had no idea what up to 11 meant.
ChrisV
ChrisV
17 2.3k
Jun 29, 2017 3:26pm
Predictably massively overpriced for what it is. Yes there are now a lot of smaller sensor cameras on the market in the same price bracket, but they all offer something that is in some way top specification - this Canon, like all Canon's pitched at a lower price level, gives the usual impression of being deliberately hobbled to differentiate it from its higher priced stablemates. There are other full frame DSLRs on the market that are much older, but don't look out of date next to the 6DII and are far more keenly priced.
themak
themak
10 1.2k
Jun 29, 2017 4:14pm
Quote:Predictably massively overpriced for what it is. To be fair, they're all at that game - mk 2 models at double the price across the board, it seems.
banehawi
banehawi
19 3.1k
Aug 11, 2017 2:41pm
Ill stay with the 6D, which by all accounts has a greater dynamic range. Way too pricey.
JackAllTog
JackAllTog
15 6.4k
Aug 11, 2017 3:08pm
I'm watching the prices on this swing widely, AmazonUUK is +/- £300 in the last few days, Digital Rev (Grey importer) is £500 below launch price on a special 2 day deal - are people worried that they have ordered to much stock and need to shift it - is the MK2 still a good FF entry but no longer a 6D mk1 upgrade step? I like what Willie says above as i have a 6D, but wanted the MK2 to offer more DR.
waltknox
9 6
Aug 11, 2017 6:39pm
Lack of 4K video and mediocre dynamic range at this price? What was Canon thinking? I predict there will be a lacklustre response in as far as sales go for Canon for this Full frame upgrade. Sony just over took Nikon in sales-Canon can't be far behind with missed opportunities like this .Very disappointed in the 6D MK 11 Walt Knox
MrScott
11
Aug 11, 2017 7:44pm
There is a lot of talk about the reduced DR on this camera; take everything on the internet with a large pinch of salt. 1. Canon do not clip the lower levels of the sensors range, so when you increase the shadows you will get some red banding. This can be removed in post processing, so do not believe it is the disasters some sites would have you believe. 2. Nikon clip,the blacks in their sensor output at about 15%, so there is no red banding. 3. The photographic DR in Canon and Sony (Nikon) sensors is about 1 EV difference or less. A 14 bit ad converter cannot give a DR greater than 14, and the widely used DXO DR numbers are mathematical projections. ( see their methodology) 4. So if you like the camera, don't be swayed by its 'poor DR' there is a lot more to photography than that. And, finally, 'weather sealing' is not complete around all the ingress points - see Canon's own diagrams of the rubber sealed areas and the 'tight body seal' junctions. It will not object to a bit of light rain, but I wouldn't want to use it in a continuous Lancastrian downpour without a cheap bag cover. It is expensive, but since last year with the drop,in the value of the pound against the foreign currencies, everything has gone up, and will continue to do so. The Pentax K1 was £1699 at launch, now £1999, Canon lenses have also gone up about 20%. It may not come down in price that quickly. Regards, Scotty. I
Nigeyboy
Nigeyboy
15 1.1k
Aug 13, 2017 7:53am
The bonus here is there will now be a flood of 6D MkI's on the used market places - time to grab a bargain I think . . . .