Where was Sallie Gardner filmed?
1878
City Locations
Stanford (USA)
Location Types
Farm
Location Styles
Ranch Style
About Sallie Gardner
The Horse in Motion by Eadweard Muybridge was an ambitious feat of photography that focused on capturing the horse's movement. Muybridge meticulously photographed the movements of a moving racehorse at the renowned Palo Alto Stock Farm in California. This agricultural property owned by former US Senator Leland Stanford was located just south of San Francisco, near the city of Palo Alto. The flat terrain and vast acreage offered ideal conditions for capturing the motion of a horse on film.
Muybridge chose to shoot his photography project primarily outdoors against the backdrop of nature and peaceful farmland with views of distant mountains in the background. He also made use of some indoor locations such as horse stables and other man-made structures with vast amounts of open space nearby for unobstructed shots. In addition to its natural beauty, the surrounding area had a high concentration of attractions like golf courses, museums and even a winery that could be seen from certain angles used during shooting.
Visiting these historical sites can provide insight into how Muybridge was able to capture his pivotal photographs in this region over 100 years ago using cutting-edge technology for its time. One can observe how he used different vantage points along with elements found within nature such as trees, rocks, buildings and animals to illustrate motion for each frame.
Sallie Gardner Locations
The Horse in Motion by Eadweard Muybridge was an ambitious feat of photography that focused on capturing the horse's movement. Muybridge meticulously photographed the movements of a moving racehorse at the renowned Palo Alto Stock Farm in California. This agricultural property owned by former US Senator Leland Stanford was located just south of San Francisco, near the city of Palo Alto. The flat terrain and vast acreage offered ideal conditions for capturing the motion of a horse on film.
Muybridge chose to shoot his photography project primarily outdoors against the backdrop of nature and peaceful farmland with views of distant mountains in the background. He also made use of some indoor locations such as horse stables and other man-made structures with vast amounts of open space nearby for unobstructed shots. In addition to its natural beauty, the surrounding area had a high concentration of attractions like golf courses, museums and even a winery that could be seen from certain angles used during shooting.
Visiting these historical sites can provide insight into how Muybridge was able to capture his pivotal photographs in this region over 100 years ago using cutting-edge technology for its time. One can observe how he used different vantage points along with elements found within nature such as trees, rocks, buildings and animals to illustrate motion for each frame.
Fun Fact
Directed by Eadweard Muybridge and produced by Leland Stanford, this was the very earliest production that led to what we now know of as motion pictures. Muybridge and Stanford conducted an experiment to take 24 successive pictures (i.e. frames) of a running horse, to prove whether or not the four legs were ever completely off the ground. Some reports cite the horse's name as Occident, and others as Sallie Gardner.
Conclusion
A jockey named Domm was filmed riding the horse Sally Gardner - however, the footage made up of 24 individual photographs taken rapidly in succession. After Sallie Gardner ran, some odd positions were captured that challenged the notion of a graceful horse. An interesting coincidence occurred where the saddle girth broke while she was passing the cameras, which was noticeable in the pictures. This experiment proved to be even more notable than Muybridge's first trial.
Although there were rumors that Stanford had a bet on the outcome of the study, that all four of a horse's legs would be off the ground when running, historian Phillip Prodger believes this story is inaccurate. He claims there are no primary accounts of the supposed wager and it appears to be a rumor based on hearsay.
Muybridge's photography revealed that all four of a horse's feet can be off the ground at once, particularly when "gathered" beneath the body and not when in an extended position like portrayed in older artworks. In the days that followed, Muybridge shot various series of different horses running various gaits. The 22 × 14 cm cards were printed by Morse's gallery and formally copyrighted at the Library of Congress on July 15th, 1878.