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127 Hours movie cover Movie Locations Guide

Where was 127 Hours filmed?

2010

City Locations

Utah (USA)

Location Types

Warehouse, Riverside

Location Styles

Desert, Dilapidated/Neglected, Americana/Anywhere, Camper, Rustic

About 127 Hours

If 127 Hours doesn't give a renewed gratitude for life and the relationships you form with others, then it might be time to disconnect from technology. The survival drama film from 2010, directed by Danny Boyle with James Franco in the lead role, is a mesmerizing and captivating tale. It tells the remarkable true story of Aron Ralston, a hiker trapped in a Utah canyon for days after a rock dislodges and traps his hand against the canyon wall. Ralston, an experienced hiker and climber, starts his journey with a seemingly casual bike ride to the middle of nowhere near Moab, UT. His adventure takes a turn for the worse when he bids farewell to a pair of lost female hikers he had just assisted and soon finds himself in a life-threatening predicament. The rock that traps him is a grim reminder of how quickly a situation can escalate from a peaceful solo journey to a fight for survival. 127 Hours was greatly appreciated by critics and audiences alike, grossing $60 million worldwide. The American Film Institute selected it as one of the top 10 films released in 2010. Its remarkable storytelling and performances earned the film six Academy Award nominations, including Best Actor for Franco and Best Picture. This film showcases the extraordinary measures one man took to survive and escape his dire situation, making it a truly inspiring watch.

127 Hours Locations

127 Hours is a cinematic masterpiece that captures the raw beauty and unforgiving harshness of Utah's breathtaking landscapes. The film was shot predominantly in the location where Aron Ralston (James Franco) endured his harrowing ordeal in 2003. This location is the narrow Bluejohn Canyon, a tributary of the immense Horseshoe Canyon within Canyonlands National Park, southwest of Moab in southeast Utah. The landscape here is characterized by its rugged, red rock formations and vast expanses of desert terrain, providing an awe-inspiring backdrop that heightens the sense of isolation and desperation experienced by Ralston. In addition to the actual location filming, the production also utilized a meticulously crafted replica of the canyon floor, housed in the old Granite Furniture warehouse in Salt Lake City's Sugar House district. Additionally, Homestead Crater is where they captured the underwater pool scenes. This natural wonder is within the Homestead Resort and Spa, located in the serene Midway, within the scenic Wasatch Canyon. Situated just 30 miles southeast of Salt Lake City, it adds a touch of enchantment to the film. A trip to these locations would be worthwhile for fans of the film and nature enthusiasts. Not only will visitors experience firsthand the stunning landscapes that served as the backdrop for this gripping survival tale, but they will also gain a deeper appreciation for the resilience of the human spirit, as embodied by Ralston's incredible story.

Fun Facts:

James Franco cleverly concealed his textbooks within the crevices of the "canyon" set, effectively diverting his attention from the claustrophobic nature of the small set, where he would spend hours on end.

Aron shows Kristi and Megan an underground pool scene in 127 Hours

Homestead Crater, 700 North Homestead Dr, Midway, UT 84049, USA

Aron Ralston (James Franco) decides to embark on a solo hike at Utah's Canyonlands National Park without informing anyone — a fateful decision. During his journey, he encounters hikers Kristi (Kate Mara) and Megan (Amber Tamblyn), with whom he shares an underground pool experience before they part ways. Following their departure, Ralston ventures into the confined spaces of Bluejohn Canyon, initiating the chain of events that would lead to his entrapment. The Homestead Crater, within the Homestead Resort and Spa at Midway, in Wasatch Canyon, approximately 30 miles southeast of Salt Lake City, provided the setting for the scene. It is a remarkable geothermal spring concealed within a 55-foot tall, beehive-shaped limestone formation on the resort's property. Visiting this unique location does not necessarily require you to get wet. Many guests opt for a self-guided tour of the Crater, appreciating the natural phenomenon's history, geology, and archaeology. For those who wish to immerse themselves fully, however, the resort has constructed a tunnel through the rock wall, providing access to specially designed decks and a soaking area where visitors can enjoy the Crater's crystal-clear mineral water. Homestead Resort is near Salt Lake City. The most convenient method of transportation is to rent a car and take the I-80 E and US-189/US-40 E routes to reach the destination. The Homestead Crater is available for viewing every hour, on the half-hour. However, reservations are necessary for all crater activities.

An unmovable boulder pins Halston scene in 127 Hours

Bluejohn Canyon, Utah, USA

One of the most gripping scenes occurs when Aron Ralston (James Franco) slips while climbing and is pinned against the canyon wall by a dislodged boulder. Despite his desperate attempts, he finds the boulder immovable and realizes the stark reality of his solitude. To maintain hope and sanity, he begins documenting his ordeal on his camcorder, chipping away at the boulder with a pocket knife. This pivotal scene came to life where Halston's harrowing experience unfolded: the narrow Bluejohn Canyon, a tributary of the Horseshoe Canyon within Canyonlands National Park, southwest of Moab in southeast Utah. The canyon's remoteness adds to the intensity of Ralston's predicament. Situated over 30 miles from the nearest paved highway and 60 miles from services, it offers a stark reminder of the isolation and desperation Ralston must have felt. Visiting this location requires careful planning and preparation. It's essential to have technical canyoneering skills and to carry ample supplies of water, food, and appropriate gear. Cycling is restricted in the park, so visitors should prepare for a challenging trek. However, for those less experienced in canyoneering, professional guides can facilitate a safe and enriching exploration of the canyon. A private car ride from Denver followed by a guided tour is required. From Denver, take I-70 W, and the journey will take approximately 6 hours.

Aron tries to survive scene in 127 Hours

Granite Furniture Warehouse, 1050 E 2100 S, Salt Lake City, UT 84106, USA

Over five desperate days, Ralston (James Franco) rations his limited food and 300ml of water, battles frigid night temperatures, and has to drink his urine once his water supply depletes. In a futile attempt to free himself, he even rigged a pulley system with his climbing rope to try and lift the boulder. Due to the inherent risks and practical challenges associated with filming in the actual slot canyon, the production team ingeniously recreated the canyon floor at an old warehouse at 1050 East 2100 South in the Sugar House district of Salt Lake City. However, this set presented difficulties for the crew due to its inflexibility and challenging access conditions. Granite Furniture Warehouse is conveniently located near downtown Salt Lake City, just a 10-minute drive or a 45-minute bus ride away. The warehouse is abandoned and not open to the public, but fans interested in embarking on their adventure can start their journey from Salt Lake City. However, they should prepare for a potentially dangerous tour similar to Ralston's ordeal.

Aron finds rainwater scene in 127 Hours

Leprechaun Canyon, Sandthrax Campsite, north of UT-95, Lake Powell, UT 84533, USA

After several days, Aron (James Franco) takes a photograph of the boulder that would soon trap him before rappelling down a 65-foot rockface. He discovers some collected rainwater as he descends and, driven by dehydration, drinks the stagnant water to sustain himself. Some scenes were filmed in the visually stunning Leprechaun Canyon, known for its physically demanding terrain and technical challenges. The canyon is famed for its narrow, dramatic, and dangerous passages, which offer an unrelenting test of one's physical and mental endurance. Despite these challenges, the canyon's sheer beauty and short approach hike make it a captivating location for adventurers and a fitting backdrop for this intense film. Leprechaun Canyon, part of the group of canyons commonly referred to as the "Irish Canyons," is located on State Road 95, just east of mile marker 28, on the north side of the road. It's approximately 2 miles southeast of the junction with State Road 276 and about 19 miles northwest of the Colorado River bridge on State Road 95.

Conclusion

127 Hours is a riveting survival drama that leaves a lasting impression, inviting its audience to ponder: "What would I have done in such a situation?" The true story of Aron Ralston's ordeal, portrayed with remarkable conviction by James Franco, pushes the boundaries of human endurance and compels viewers to confront their deepest fears. Some audience members have reportedly fainted during the film's more intense scenes, but director Danny Boyle masterfully balances these harrowing moments with a resoundingly entertaining narrative. The authenticity of 127 Hours is bolstered by its filming locations, primarily shot in the actual Bluejohn Canyon in Utah, where Ralston's grueling experience unfolded. The stunning, expansive landscapes of the Canyonlands National Park serve as a striking backdrop and a stark reminder of Ralston's isolation. James Franco's portrayal of Ralston is commendable, effectively capturing his character's dual nature: the confident adventurer who relishes risk-taking and the pragmatic survivor who makes a desperate decision to save his own life. His performance is captivating and emotionally resonant, driving home the film's intense narrative. The film's technical aspects are equally impressive. Boyle and cinematographers Anthony Dod Mantle and Enrique Chediak beautifully capture the vastness of the Utah wilderness and the minute details of Ralston's predicament. Editor Jon Harris skillfully navigates the challenging scenes, particularly the infamous arm-cutting sequence, which is more suggested than explicitly shown, with the sound design playing a crucial role in conveying the moment's intensity. 127 Hours is a testament to the power of cinema to adapt seemingly unfilmable narratives, contributing significantly to the movie industry. It's a film that pushes boundaries and challenges conventions, making it a must-watch for those seeking an immersive cinematic experience that explores human resilience.