Composition Basics - Shots

There are a variety of different shot sizes that can be used in photography to create different effects. Each has its own unique properties and can be used to great effect in the right situation. Here is a brief overview of the most common shot sizes.

ELS = Extreme Long Shot

In photography, an extreme long shot is a composition in which the subject is very small in the frame. This can be used to create a sense of scale, or to emphasize the vastness of the surroundings. Extreme long shots are often used in landscape photography, but can also be used in other genres such as cityscapes and portraits. When shooting an extreme long shot, it's important to use a tripod or other support to keep the camera steady.

Otherwise, you may end up with a blurry image. It's also important to pay attention to the background and foreground of your shot, as these can help to create a sense of depth. With careful planning and execution, an extreme long shot can be a powerful way to capture a scene.

LS = Long Shot

A long shot is a photo that is taken from a distance. This can be accomplished by using a telephoto lens, or by simply zooming in on your subject. Long shots are often used to capture landscape photos, or to get a wider view of a scene. They can also be used to make small subjects appear larger, such as in macro photography. When taking a long shot, it's important to keep your camera steady. This can be done by using a tripod, or by leaning against a solid object. If you're hand-holding your camera, be sure to use a faster shutter speed to avoid blur. Long shots can be tricky to master, but they're definitely worth the effort!

MS = medium shot

A medium shot is a film technique that refers to a camera angle that is between a close up and a long shot. This type of shot usually shows the torso and head of the subject, making it a popular choice for dialogue scenes. The medium shot can also be used to capture action, though it is not as well suited for this purpose as the close up or long shot. When used effectively, the medium shot can create a sense of intimacy and allow viewers to connect with the characters on screen. It is a versatile camera angle that can be used in many different ways, making it an essential tool for any filmmaker.

MCU = Medium close-up

Medium close-up shots are a great way to add interest to your film or video. By filling the frame with your subject's face, you can create an intimate, personal connection with the viewer. At the same time, medium close-ups can also be used to reveal important details that might otherwise be missed in a wider shot. For example, a medium close-up of a person's hands can reveal nervousness or excitement, while a close-up of someone's eyes can convey a range of emotions from sadness to rage. If you apply it effectively, medium close-ups can be an extremely powerful tool for telling stories on film.

CU = Close-up

A close-up shot is a type of film shot that frames a person or object tightly, allowing the viewer to see details that would otherwise be hidden. Close-ups are often used to capture emotions or to provide a detailed view of an intricate object. When used correctly, they can add tension, humor, or even beauty to a scene. To get a close-up shot, a photographer or filmmaker typically moves the camera closer to the subject until it fills the frame. The use of special lenses can also help to achieve a close-up effect. When done well, a close-up shot can be incredibly powerful and memorable.

ECU = Extreme Close-up

An extreme close-up shot is a film or video shot in which the subject fills the frame. This can be achieved by physically moving the camera closer to the subject, or by using a zoom lens. Extreme close-ups can be used to create a sense of intimacy, or to emphasize small details that might otherwise be missed. They are also often used for comic effect, as the close-up view can make even the most ordinary objects seem strange or amusing. When used well, extreme close-ups can be a powerful tool for engaging viewers and conveying emotion. However, they should be used sparingly, as they can quickly become overwhelming if overused.

OTS = Over the Shoulder

The over the shoulder shot is a classic cinema move. You've seen it a million times: the camera pans around to reveal the protagonist's reaction to some shocking news, or we finally get a glimpse of the murderer as they close in on their unsuspecting victim. But have you ever wondered why this shot is so ubiquitous? There are actually a few reasons. First, it's a great way to build suspense. By keeping the focus on the person who doesn't know what's going on, we as viewers share in their sense of unease. Second, it allows us to see both the character's reaction and the thing they're reacting to. This is especially important in horror movies, where seeing the monster up close would ruin the effect. Finally, it's just a really cool shot. There's something about that 360-degree pan that feels very stylish and cinematic.

Single/ 2-Shot/ 3-Shot

A single shot is a photograph that captures a single moment in time. A 2-shot is a photograph that captures two moments in time, often side by side. A 3-shot is a photograph that captures three moments in time, often staggered. Single shots are great for capturing a specific mood or feeling. 2-shots are great for capturing a before and after, or a before and during. 3-shots are great for capturing the progression of an action. All three types of shots can be used to tell a story, but it's up to the photographer to decide which type of shot will best capture the mood or feeling they are trying to convey.

Single

2-Shot

3-Shot